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How to Murder Your Wife

United States

1965

118 Min
Color
1.66:1
Italian, English
  • Currently 2.9/5 Stars.
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DIR Richard Quine

EXEC Gordon Carroll

PROD George Axelrod

SCR George Axelrod

DP Harry Stradling Sr.

CAST Jack Lemmon, Virna Lisi, Terry-Thomas, Eddie Mayehoff, Claire Trevor, Sidney Blackmer, Max Showalter, Jack Albertson, Mary Wickes, Khigh Dhiegh

ED David Wages

PROD DES Richard Sylbert

MUSIC Neal Hefti

SOUND Lyle Figland, J.S. Westmoreland

Synopsis

Stanley Ford leads an idyllic bachelor life. He is a nationally syndicated cartoonist whose Bash Brannigan series provides him with a luxury townhouse and a full-time valet, Charles. When he wakes up the morning after the night before – he had attended a friend’s stag party – he finds that he is married to the very beautiful woman who popped out of the cake – and who doesn’t speak a work of English. Despite his initial protestations, he comes to like married life and even changes his cartoon character from a super spy to a somewhat harried husband. When after several months he decides to kill off Bash’s wife in the cartoon, his wife misinterprets his intentions and disappears. Which leads the police to charge him with murder. —IMDb

Director

Original

Richard Quine

Richard Quine (November 12, 1920 – June 10, 1989) was an American stage, film, and radio actor and film director. Quine was born in Detroit. He made his Broadway debut in the Jerome Kern/Oscar Hammerstein II musical Very Warm for May in 1939 and appeared in My Sister Eileen the following year. His screen acting credits include The World Moves On (1934), Jane Eyre (1934), Babes on Broadway (1941), My Sister Eileen (1942), and Words and Music (1948), among others. At MGM he became friends with Mickey Rooney and later directed several of Rooney’s films.

During World War II, Quine served in the United States Coast Guard, He married actress Susan Peters in November 1943. After the war, he tried directing, first as co-producer and co-director on Leather Gloves (1948), with William Asher, before his first solo effort on the musical The Sunny Side of the Street (1951). His directing credits include Pushover (1954), My Sister Eileen (1955), Operation Mad Ball (1957), Bell, Book and Candle… read more

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Joseph Judge

12May12

Well this was a bit of a chauvinist nightmare. But Lemmon still manages to be typically likable so it more or less evens out.

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