A key figure in the development of the new Hungarian cinema, filmmaker Miklós Jancsó earned international recognition for his films Szegénylegények/The Round-Up (1965), Csillagosok Katonák/The Red and the White (1967), and Csend és Kiáltás/Silence and Cry (1968). These films best reflect Jancsó’s tendency toward abstraction and contain a distinctive combination of revolutionary viewpoints and highly structured, formal cinematic style. Imagery is more important than dialogue, which is used sparingly to encourage audiences to contemplate Jancsó’s underlying messages. The director tends to place actors in geometric patterns that mirror the landscapes around them.
Born in Vac, Hungary, Jancsó studied ethnography and art history while earning his law degree in 1944. He spent several years in Transylvania doing ethnographic research before enrolling in Budapest’s Academy of Dramatic and Film Art, where he graduated in 1950. Jancsó began filming numerous newsreels… read more