Langston Young
8May12
My favorite also :)
I acknowledge this isn't his best film but it is my favorite for whatever reason. I know the critics prefer "A Woman Under the Influence" & the hipsters prefer "Killing of a Chinese Bookie" but this one is mine. This has to be the best "Mid-life crisis movie" ever. I'm nothing like either of these 3 guys nor am I as old as they are or approve of their choices but I relate on some level.
In my twenties I found the film insufferable, now in my forties I only find the characters insufferable. Film is an overindulgent examination of three close friends suddenly being confronted with their own mortality and acting out in an adolescent way. One knows that one is commiting heresy by questioning the work of Cassavetes but my lord this one needed an editor. Powerhouse performance by Ben Gazzara though.
'A picture that doesn't have any sentimentality in it, but has a great deal of feeling in it. And it has the kind of emotions that we all experience but you really don't see on the screen. The kind of emotions that get lost because they are no longer contrived...'
At times funny, tragic, misguided and humane, Husbands is the perfect vehicle for Cassavetes to explore the male relationship in all its imperfect glory.
One of the funniest films ever, and I think it was his best film, by far.
Some people actually feel uncomfortable when watching this. But that is only because this film has that raw capability, powerful setting. The camera acts purely as the individual's eye and intensifies the viewing even more, which as we all know, is a common trait in the films of Mr. Cassavetes.
realism at its best. although I didn't like the ending. the bar singing scene was incredible.
psychologically nauseating to watch. sometimes i feel more uncomfortable on the actors' behalf rather than the characters.
I disagree. Darjeeling Limited is cartoonish. This movie is beautiful. Cassavetes is a God to me.
fun, passionate..his scenes are like dear memories; i don't know of any director who better captures the skin and bone non-bullshit essence of people.
wow. i generally love cassavetes but this is a steamy pile of self-indulgence. the singing scene kills it dead in its tracks, followed by the vomiting scene which jams the knife in further. toss in some barking, clapping, wheezy laughter, some choking of women. rinse. repeat. sorry, being formless and meaningless is not the same as being verite. hated it.
"Don't believe truth", Gus says. This is a comedy as much as The Killing of a Chinese Bookie is a gangster picture. As Harry would say: "Wonderful, wonderful,"
I think 'Faces' and 'Killing of a Chinese Bookie' are masterpieces, but 'Husbands' was far too drab and one-note for me. While I understand that's it's probably the most thorough exercise in Cassavetes' principles (the final episode of 'Opening Night' is the only other contender), I found that the vérité conceit wore thin faster here than in his other projects. And I usually like studies of regressive males.
quintessential Cassavettes see's his favorite players go through marital and middle age crisis through a series of fly on the wall scenes that leave them vulnerable and questioning everything...after watching this I was reminded of Cassavetes' status as the best INDIE director in history and that NOBODY does anger like Ben Gazzara...I'm in great need of a criterion release.
I am straight man, but I don't get male rituals...How boring ! I prefer women.
Right after the viewing I honestly didn't think too much of it... But as time passed it lingered in the deepest darkest parts of my subconscious AND IT WOULDN'T LET GO. Again, John Cassavetes finds incredible and even scary sides of the American dream.
It had its moments. It was very real and I definitely commend Cassavetes for capturing that so well. Nothing really grabbed me and pulled me in, though.