The polished rooms of a Milanese villa ignite with anxious activity as the wealthy industrial family, the Recchis, prepare to celebrate the birthday of their patriarch. It is an occasion designed to ensconce family traditions—the handsome grandson, Edoardo, introduces his new girlfriend; his sister presents another piece of her artwork to her grandfather; and the grandfather, knowing this is his last birthday, names the successor to his empire. As the refined familial machinations unfold, the woman of the house, Emma Recchi (Tilda Swinton), skates along the tight seams of the family, exuding elegance and uncertain turbulence. Change is like a fog at sea that quickly consumes the land.
A feast for the senses, Luca Guadagnino’s magnificent film, I Am Love, possesses a vibrant and formally irreverent style that luminously articulates its themes of passion and constraint. Swinton turns in a stunning performance as the central muse of a tale about the irresistible draw of forbidden passion and the bittersweet victory of liberation from the constrictions of wealth and power. —Sundance Film Festival
Filmmaker and stage director, screenwriter and producer, Luca Guadagnino was born in Palermo in 1971. He graduated from La Sapienza University in Rome with a thesis on Jonathan Demme. In 1999, he made his first feature film The Protagonists, a strange film that defied categorization. The Protagonists was selected for Venice. Some years later he directed Mundo civilizado (2003), screened at Locarno. In 2004 he made Cuoco contadino, selected for the Cinema Digitale section at Venice. His following film, Melissa P. (2005), was a hit, despite arousing controversy. In 2009 he received international acclaim for I Am Love. His most recent film, Inconscio italiano (2011), is screening at Locarno this year in the section Fuori concorso. –Locarno Film Festival
Wow. I loved this. Tilda Swinton's story about how this film was created is worth a listen.
A couple of days ago I saw Luca Guadagnino's grandiose melodrama I Am Love. I didn't like it much at all, but I did find it fascinating, so
"As unrepentantly grandiose and ludicrous as its title, Luca Guadagnino's visually ravishing third feature suggests an epic that Visconti
Nick Hasted opens the Italian Cinema Special in the May issue of Sight & Sound: "When Paolo Sorrentino's Il Divo and Matteo Garrone
"Everyone Else, a sun-kissed German film about a young couple in love and in doubt, might not be perfect, but so much is right and true in
"Austin's most prolific fraternal pairing, the Zellner Bros, are men of many accents," writes Kimberley Jones, introducing her brief interview
What I love about this new poster for Luca Guadagnino’s I Am Love (Io sono l'amore) is not just its gorgeous typography, but also how it celebrates
"In every sense, I Am Love is a stunning achievement," declares Jay Weissberg in Variety (where Nick Vivarelli reports on the press
On a technical and superficial level, this movie is impressive. Tilda Swinton radiates from the screen and her fluent Italian and Russian (both languages she learned for this movie) is a wonder to… read review
The film is atmospheric and naturalistic but it also tries to be grand like an opera almost. Since there is limited dialogue and a constant score throughout the film. It makes the film seem more experimental… read review
Really quite awful. Mostly it got my attention because it incorporates music from various of John Adams’ orchestral compositions. Now that I have sat through this bland drama, I am shocked that the… read review
I think I can honestly say that I have never left the cinema feeling so satisfied as I did when I left I Am Love, ever before. As always, Tilda Swinton delivered an excellent performance and I was… read review