The girls whose adolescent years we follow in this film have been friends since childhood. The camera accompanies them over a period of several years so that the pubertal young girls could be played by the same actresses who played them as youngsters. Even back then, it was clear that not all of them had a problem-free family environment which would prepare them for their life ahead. At school they also encounter conflicts and failure, the battle to establish themselves, their fear of maturity. Add to all this their awkwardness during their first experiences with men, and they feel that they simply can’t handle life. They respond differently to these pressures, from aggression and forced gestures of defiance to resignation. The film is composed as a free mosaic of episodes, often stylised as a musical, which, when pieced together, create not only portraits of the four heroines, but also an image of the end of the rough 1970s, when the virtues of the lycée girls no longer reflected demure behaviour and prescribed obedience. –KVIFF
‘Noémie Lvovsky’ (born 14 December 1964 in Paris) is a French film director, writer, and actress. She studied cinema at La Fémis (Fondation européenne pour les métiers de l’image et du son) in Paris, notably a contemporary of Arnaud Desplechin, with whom she often collaborates. Her first two films cast Emmanuelle Devos, who was then at the beginning of her career. Noémie Lvovsky has been nominated three times for the César Award for Best Supporting Actress : in 2002 for My Wife Is an Actress, in 2006 for Backstage , and in 2008 for Actrices. Her film Sentiments was nominated for the César Award for Best Film in 2004. —Wikipedia