In 1672, two witches (Jennifer and her father Daniel) are burned by puritan Jonathan Wooley; in 1942, they rematerialize to plague his descendant Wallace Wooley, candidate for state governor. Wallace is about to marry tart-tongued Estelle, but Jennifer has other ideas; then her love potion goes wrong. —IMDb
Born under the name of René Chomette in 1898, René Clair René Clair started life as a journalist and then turned to the cinema in 1920. At first an actor and assistant director, he started making films with Paris qui dort and Entr’acte (1924), a pearl of the surrealist cinema.
Commercial success and critical acclaim came with the brilliant farce comedy, An Italian Straw Hat (1927) followed by his famous early musical talkies, Le Million (1931) and A nous la liberté (1932). He continued his career in Hollywood during the war and came back to France to make the films of his mature years, Le Silence est d’or (1947) et Les Grandes manœuvres (1955). René Clair was elected to the Académie Française in 1960 and died in 1981. —Octuor de France
Delightful comedy with (for me) Veronica Lake's best role; about the disruptive potential of love. Apart from the Italian Straw Hat and Entracte which are masterpieces of a kind, I find this to be the most consistently enjoyable of Clair's films.
It's a fluff film, but with great performances and a lot of wit. They don't make films like that anymore: These days, most fluff is schlock. Also, Veronica Lake is just plain adorable.
A nimble and delightful film from the spry René Clair, chock full of clever gags and imaginative special effects. The story is romantic/screwball comedy taken to a different level, retrofitted with… read review