The debut feature from Gaspar Noe, director of the controversial Irrèversible, just as potent and confronting. I Stand Alone is set in France in 1980 and tells the story of The Butcher (Philippe Nahon) a retired horsemeat peddler, locked into a loveless marriage with his nagging, pregnant wife and a hateful mother-in-law. Living in their cramped apartment and taunted by the women every moment of the day, The Butcher is poised on the edge, seething with bitterness and hatred for a world he must endure, ready to explode. And then one day….he does. –Accent Cinema
Baldheaded Franco-Argentine filmmaker Gaspar Noé has made some seriously disturbing films during his relatively short career. He has also won several critical awards and festival acclaim for each of his works. Noé made his first film in 1991 with the short Carne, an introduction to the character of the Butcher, played by Philippe Nahon. An angry man, the Butcher seeks revenge on whoever hurt his disabled daughter. After working as an actor, cinematographer, writer, and director on some other projects, Noé made his first feature film, I Stand Alone, continuing the story of the Butcher after he does time in jail and abandons his daughter. In 2002 he received major public notice and outrage with the controversial Irréversible, mostly due to the much-publicized eight-minute rape scene. Starring real-life married couple Monica Bellucci and Vincent Cassel, the film is a brutal look at male violence shown in reverse chronological order. —allmovie guide
I may change my mind about this film, I might not. Can't help but say I felt quesy after seeing it, which I guess is how I should've felt after "Irreversible". One thing I know about Noe is that I can't not think about his films, but I find much to question, mainly having to do with how the film goes about in its depiction of things. Nothing much against the subject matter, but to what ends the stylization are meant.
Parlar tanto per non narrare nulla forse anche per problemi di denari. Poi brutto non è, ma decisamente troppo fine a sé stesso.
I’d argue that this is Noé’s finest film so far.
For one, Phillipe Nahon’s uncanny portrayal of an aging blue-collar man beaten up by life is spectacularly believable and empathetic – in large… read review