Set in 17th-century Mexico during the Inquisition, this tragedy chronicles the true story of a rebellious, highly educated nun—writer/poet Sister Juana Ines de la Cruz (1651-1695)—who is persecuted for her radical ideas, after her mentors, the Spanish Viceroy and his wife, return to Europe. –Inbaseline
María Luisa Bemberg (14 April 1922 – 7 May 1995) was a pioneer feminist, film writer, director and actress born in Buenos Aires, Argentina. One of the first Latin-American women film directors and a powerful presence in the intellectual Argentina of the 1970-1990. In her work, she specialized in portraying famous South American women and the Argentine upper class.
The daughter of Otto Eduardo Bemberg and Sofía Bengolea, she was born into one of the most powerful families in Argentina, as her great-grandfather, German Argentine immigrant Otto Bemberg, had established the Quilmes Brewery, Argentina’s largest, in 1888.
On October 17, 1945, she married Carlos Miguens. Following their marriage – in the midst of the Perón era – the couple moved to Spain where they had four children before returning to Argentina. In 1959 she established and managed the Buenos Aires’s Teatro Del Globo with her associated Catalina Wolff. She was one of the founders of the Mar del Plata film festival… read more
Bemberg, on the making of the Juana Inéz de la Cruz biopic: “The Sor Juana project fits in with what I set out to do when I began to make movies - to change the very uninteresting image of women that film generally conveyed. When it comes to women, Latin American film is terribly poor and tendentious. Women are generally presented as a function of male ambition and are too often, even today, the object of a distorting, grotesque misogyny.”