The cinematography and the tone are in such good hands that horror becomes a vicious undercurrent.
Now my second- or third-favorite zombie film (Pupi Avati's Zeder being the undisputed No. 1).
I saw the first five or so minutes of this movie on a loop at a McDonald's about four(?) years ago. I asked a worker what movie was playing but he didn't know. I'll call it a testament to Tourneur and crew's awesomeness that I immediately recognized the images from so long ago.
this film would be awful in color. the black and white really makes the atmosphere extremely creepy/unsettling. the story was unexpected because it's not a traditional "zombie" story, or maybe it is. it's a little unconventional to me which is great. this film is stunning and every horror fan needs to see it!
Six decades before "Pride and Prejudice and Zombies," there was this retelling of "Jane Eyre" featuring - you guessed it - zombies. Val Lewton was a shrewd producer who took lurid, sensational titles and turned them into often thoughtful films with great emotional depth, and this love story laced with voodoo is atmospheric and compelling.
Tourneur's low-key, dream-like atmosphere is punctuated by suggestion and inference rather than gore, and whatever else you'd expect from a movie with the word "zombie" in the title. Creepy, distant noises accompany eerie settings in a film which is arguably much less about horror than it is about the difficulties of breaking the barriers between lovers and family. An eccentric approach, and the result is brilliant.