Ice Age: Dawn of the Dinosaurs
United States
2009
94 Min
Color
1.85:1
English
Synopsis
After the events of “Ice Age: The Meltdown”, life begins to change for Manny and his friends: Scrat is still on the hunt to hold onto his beloved acorn, while finding a possible romance in a female sabre-toothed squirrel named Scratte. Manny and Ellie, having since become an item, are expecting a baby, which leaves Manny anxious to ensure that everything is perfect for when his baby arrives. Diego is fed up with being treated like a house-cat and ponders the notion that he is becoming too laid-back. Sid begins to wish for a family of his own, and so steals some dinosaur eggs which leads to Sid ending up in a strange underground world where his herd must rescue him, while dodging dinosaurs and facing danger left and right, and meeting up with a one-eyed weasel known as Buck who hunts dinosaurs intently. —IMDb
Director
Carlos Saldanha
Carlos Saldanha (born July 20, 1968) is a Brazilian director of animated films. He was the director of Ice Age: The Meltdown (2006), Ice Age: Dawn of the Dinosaurs (2009) and Rio (2011), and the co-director of Ice Age (2002) and Robots (2005). Saldanha was born in Rio de Janeiro, Brazil. He left his hometown in 1991 to follow his artistic instinct and passion for animation. With a background in computer science and a natural artistic sensibility, he found New York City the perfect locale to merge these skills and become an animator. He attended the MFA program at New York’s School of Visual Arts, where he graduated with honors in 1993, after completing two animated shorts, The Adventures of Korky, the Corkscrew (1992) and Time For Love (1993). The shorts have been screened at animation festivals around the world. At SVA, Saldanha met Chris Wedge, one of the cofounders of Blue Sky Studios, who invited him to join their growing team of artists. —Wikipedia
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A Era do Gelo 3, de Carlos Saldanha
By Leonardo Mascaro on March 31, 2012
Sempre fui fascinado por animações, e de uns tempos pra cá, tento não perder a oportunidade de assisti-las no cinema. É assim com todos os longas da Pixar, e alguns longas de outras produtoras. “Shrek”… read review
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