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Ikebana

Japan

1956

32 Min
Color
1.37:1
Japanese
  • Currently 3.8/5 Stars.
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DIR Hiroshi Teshigahara

DP Susumu Urashima

CAST Tomoko Naraoka, Sofu Teshigahara

ED Miyuri Miyamori

MUSIC Katsutoshi Nagazawa

SOUND Tetsuya Ohashi

Synopsis

Traces the history of ikebana, flower arranging: its origins, its formalization 500 years ago, the emergence of the rikka or standing flower style with its heaven-earth-man trinity, and the influence of Rikyu’s simplicity. Enter the modern era, embodied at the Sogetsu School, where flower arranging is taught alongside modern sculpture and pottery. We visit a weekend class of flower arranging with novice and experienced students evaluated by a master, Sofu Teshigahara, the director’s father. Then we watch the master prepare for his annual one-man show. If life is an unceasing spiritual journey, says the narrator, then art gives us the courage to go on. –IMDb

Director

Original

Hiroshi Teshigahara

Hiroshi Teshigahara (勅使河原 宏, Teshigahara Hiroshi?, January 28, 1927 – April 14, 2001) was an avant-garde Japanese filmmaker.

He was born in Tokyo, son of Sofu Teshigahara, founder and grand master of the the Sogetsu School of ikebana. He graduated in 1950 from the Tokyo National University of Fine Arts and Music and directed his first film, Pitfall (1962), in collaboration with author Kōbō Abe and musician Tōru Takemitsu. The film won the NHK New Director’s award, and throughout the 1960s, he continued to collaborate on films with Abe and Takemitsu while simultaneously pursuing his interest in ikebana and sculpture on a professional level.

In 1965, the Teshigahara/Abe film Woman in the Dunes (1964) was nominated for an Academy Award and won the Special Jury Prize at the Cannes Film Festival. In 1972, he worked with Japanese researcher and translator John Nathan to make the movie Summer Soldiers, a film set during the Vietnam War about American deserters living on the fringe… read more

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JP. Schmidt

2Aug11

A beautiful little documentary on a beautiful art form. There is a true sense of admiration and closeness through Hiroshi towards his father you feel throughout the film and glimpses are where Hiroshi will end up going with his later work.

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