Erik Villasenor
4Aug11
Damn... that hurts a little.
"The best way to protect your place in this world is to do nothing at all." Locked in public affairs and drowning in bureaucracy, a stroll through the dichotomy of life. One, a collection of memories, and the other a perceived legacy. A beautiful exhibition of blocking and photography. However, the story structure is hard to stomach. "In other words," I feel the second half should be interlaced with the first.
Someone once told me that the Kill Bill movies portrayed emotions better than this.
Going off track of your values and goals in life? Watch Ikiru or Ozu's Tokyo Story to get inspired.
I didn't thought it was that good, too melodramatic (my beef with most of Kurosawa's movies) and single-minded for my taste but at least it scores points avoiding clichés and showing bureaucracy just the way it is and it has been for almost 60 years now. What I respect about the movie though is that it prompts you to find a balance in your own life as well, assuming you still haven't thought about that yet.
Poignant, contemplative story, battling illness and the lyrical voyage of self-discovery in one's last days.
One of the very best films that has and could ever be made. Beautiful and life affirming in every possible way. I couldn't help but cry when he started singing, and the whole swing-set section.
Words cannot describe how magnificent this film is. The underneath heart-warming feel is powerful to every extent. Probably the best feel good movie of all time.
Another masterpiece of Kurosawa in his chain of masterpieces. You can't find a single unnecessary scene, in other words, everything is in its right place in this fantastic universal film.
I must admit to a love-hate relationship with this film. There are so many technical aspects of the picture I love especially his use of wide angle lens (a rarity for him but a look I personal like a lot), wonderfully staged shots, and a very, very unique story structure but I find most of the performances to be too mannered. Also the running time of 143 minutes is a bit bloated; I think 10 minutes or more could have easily been trimmed without any disruption of the story and vastly improving the pacing.
Has to be on of m all time favourites! Just stunning. I saw it when dumped in Vancouver and I made my trip
I found the film a bit messy at first, but I think Kurosawa screwing with our narrative expectations creates the whole impact and sadness of the film. I watched this in part to celebrate the master's 100th birthday. It didn't disappoint- although honestly, I think Takashi Shimura was wrong for the role. His expressive face overplayed the material and was a bit maudlin for me.
here's an article I wrote for Turner Classic Movies: http://www.tcm.com/tcmdb/title.jsp?stid=78970&category=Articles