Carolyn Parker was the last to leave her neighbourhood when a mandatory evacuation order was decreed as Hurricane Katrina approached New Orleans in the summer of 2005. After the floodwaters subsided, Mrs. Parker was the first resident to return to her now flood-devastated community with what many thought was the “impossible dream“ of bringing her ruined home back to life. I’m Carolyn Parker unfolds as an inspiring portrait of an extraordinary woman. Mrs. Parker takes us deep inside her personal biography as a child born in the 1940s, raised in segregated New Orleans’ Lower 9th Ward, who became a teenager joining the front lines in the Civil Rights movement of the 1960s, who worked for thirty years as a cook-turned-chef in the hotel industry, and became one of the most outspoken voices in the fight for every New Orleanian’s right to return home after the devastation of the floods that followed Katrina. That Carolyn faced these odds with unbridled wit, spirituality and an abiding sense of social justice borne of her life in New Orleans makes for a unique cinematic tale of personal triumph. I’m Carolyn Parker is the portrait of an “ordinary family“ who banded together under extraordinary circumstances, and reclaimed their home. –Venice Film Festival
Robert Jonathan Demme (born February 22, 1944) is an American filmmaker, producer and screenwriter.
Demme was born in Baldwin, New York, the son of Dorothy Demme and a public relations executive father. Demme has three children: Ramona, Brooklyn, Josephine. He is a graduate of the University of Florida. He also was the uncle of director Ted Demme, who died in 2002.
Demme broke into feature film working for exploitation film producer Roger Corman from 1971 to 1976, co-writing and producing Angels Hard as They Come and The Hot Box, then directing three films (Caged Heat, Crazy Mama, Fighting Mad) for Corman’s studio New World Pictures. After Fighting Mad, Demme moved on to direct the comedy film Handle with Care for Paramount Pictures in 1977. The film was well-received by critics, but received little promotion, and performed poorly at the box office.
Demme’s 1980 film Melvin and Howard did not have a wide release, but received widespread critical acclaim, and led… read more