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In Order Not to Be Here

United States

2002

30 Min
Color, Black and White
English
  • Currently 4.2/5 Stars.
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DIR Deborah Stratman

PROD Deborah Stratman

DP Deborah Stratman

CAST Joaquin de la Puente

ED Deborah Stratman

MUSIC Kevin Drumm

Synopsis

An uncompromising look at the ways privacy, safety, convenience and surveillance determine our environment. Shot entirely at night, the film confronts the hermetic nature of white-collar communities, dissecting the fear behind contemporary suburban design. An isolation-based fear (protect us from people not like us). A fear of irregularity (eat at McDonalds, you know what to expect). A fear of thought (turn on the television). A fear of self (don’t stop moving). By examining evacuated suburban and corporate landscapes, the film reveals a peculiarly 21st century hollowness… an emptiness born of our collective faith in safety and technology. This is a new genre of horror movie, attempting suburban locations as states of mind.

Director

Original

Deborah Stratman

Deborah Stratman is a Chicago-based artist and filmmaker interested in landscapes and systems. Her films, rather than telling stories, pose a series of problems – and through their at times ambiguous nature, allow for a complicated reading of the questions being asked. Many of her films point to the relationships between physical environments and the very human struggles for power, ownership, mastery and control that are played out on the land. Most recently, they have questioned elemental historical narratives about freedom, expansion, security, and the regulation of space. Stratman works in multiple mediums, including photography, sound, drawing and sculpture. She has exhibited internationally at venues including the Whitney Biennial, MoMA, the Pompidou, Hammer Museum and many international film festivals including Sundance, the Viennale, Ann Arbor and Rotterdam. She is the recipient of Fulbright and Guggenheim fellowships and she currently teaches at the University of Illinois at… read more

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brotherdeacon

22May12

Oddly weird and beautiful, filled with menace by process rather than action--perhaps a more accurate view of the world than we'd like to believe.

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In order not to be here

By morita on April 6, 2010

Nunca antes había visto una combinación que funcione tan bien a la hora de yuxtaponer dimensiones. Hay una dimensión de terror entrelazada con un registro casi matemático, y una dimensión ficcional…  read review

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