Difficult to classify, and that is only one of the attractive sides of this episodic film about the many manifestations of love, sex and film. An affair between confession documentary and ghost story, between expressive black-and-white and faded colour.
En el futuro opens with lengthy shots of couples kissing. Each of the nine love stories tackled in this daring experimental film look at the past as seen from the present.
The future, according to director Mauro Andrizzi, is just as uncertain as life itself. And the hope for a beautiful future is an illusion that keep us waiting expectantly. The melancholy stories are also characterised by fragments of memory and suggestions of what could have been. All is described by a ghost carrying the voice of Andrizzi himself.
Due to the fact that one of the relationships takes place between two men, the film was able to win the Queer Lion at the Venice Film Festival, the award for the best film with a homosexual theme or character. But the interest of En el futuro is not exclusively gay. It’s about love and relationships in general, and how they can be experienced in such different ways. –Rotterdam
Aunque no demasiado logrado, se trata de un interesante trabajo del polemico (segun dicen) director argentino Mauro Andrizzi. En forma de falso documental, esta curiosa cinta se quiere una reflexión sobre las complejas relaciones afectivas y sus crisis, mediante algunas supuestas entrevistas tanto a amigos como a parejas hetero y homesexuales. El resultado es muy divertido por momentos (aunque estos se alternan con otros de verdadera hueva; los diez minutos iniciales son la mejor prueba de ello) por lo que, al final, uno termina resintiendo perfectamente la hora de duración que tiene esta cosa. Se deja ver, solo si no existe alguna otra mejor opción.