In traveling to the papal audience in Vatican, fourteen Catholics of both sexes, religious and laity, remain locked in an elevator in an upward journey to infinity of heaven. Ends in a cannibalistic massacre from which only escaped the grip of a nun in travail. After 30 minutes gently pungent cadences in reading, controversial landslide in virulence and reveals its author in a distorted understanding of Catholicism in general and of Italian Catholics in particular. – MyMovies
Silvano Agosti (Brescia, 1938) enrolled in 1960 at the Centro Sperimentale di Cinematografia in Rome; his graduation film in 1962 was entitled La veglia. In 1963 he went to Moscow to specialize in editing and to study the work of Ejzens tejn. In 1967 Agosti debuted with the full-length film Il giardino delle delizie, from which the censors cut 28 minutes. After numerous “militant” documentaries, Agosti founded 11 Marzo Cinematografica, a cooperative which has produced all his films. From 1976 to 1978 he taught editing at the Centro Sperimentale. His movie-theater Azzurro Scipioni, in the Prati district, became a point of reference for art films. In 1983 he finished D’amore si vive, a film which focuses on tenderness, sensuality and love, which was shot in Parma over a two year time span. In 1984 he published the novel L’uomo proiettile. This book was followed by Uova di garofano, Il giudice, La ragion pura, La vittima. —Torino Film Festival
Bello che secondo Mubi Francesca Romana Coluzzi abbia fatto solo due film. Comunque ho sempre ammirato chi riesce a girare film in una stanza senza annoiare, quindi quattro stelle invece che tre. Considerando anche che non c'e` la possibilita` di un 3,5 e The Cube avra` tipo 4 stellette di media.