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Ogier de Beausea​nt

2May12

India Song 1975
Marguerite Duras wrote and directed this evocation of colonial far east in its final years, here Calcutta and for virtually the entire film, a drawing room of the French Embassy there where the players in this depiction of bored romance struggling to carry on the physical imperatives in the enervating, smothering heat, as a means of keeping the even more draining emptiness at bay, depicted in virtual tableau vivant the participants only moving in as needed to exit the scene to be replaced by another, with dialogue solely from unseen narrators, describing the scene and the circumstances, but supported by a sophisticated score of period dances and jazz ensemble, and introduced with a real time sunset where a dusky sun slips below the horizon, a metaphor for the end of Europe’s colonial adventures. Very much in the manner of Last Year at Marienbad and demaning a patient mood to appreciate.


Delphine Seyrig as the ever available Anne-Marie Stretter and her admirers.

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Edwin N

13Sep09

Murmurs of the heart, sounds of the people looking around,startling images of looks and sights,descriptions of empty souls and bored minds…“India Song” captures human desires and lost love,greed and lust at it’s most disturbing.Sensual,experimental,baroque,lyrical and poetic,“India Song” is a film-fleuve, an enigma in itself.Voices are heard,hearts are being shattered,minds are going crazy,bodies are touching.An orgy of sensual feelings,a fascinating tableau of jealousy and compulsion,repulsion and melancholy.Duras also shows the horrors of 1930s India(Leprosy,poverty) through the voice of a hurt Indian girl, and the emptiness of the bourgeoisie, a theme protrayed similarly in Alain Resnais’ Last Year in Marienbad or Robbe-Grillet’s Trans-Europ-Express.I could ask nothing more from a film.

  • Currently 5.0/5 Stars.