Because Chan was being expelled from the school in 1991, SP Yeung Kam Wing graduated, with all police reports distinctions, being the first in whole class. Twelve year later, he was being sent, working to Lau. Ten months after Chan dies, Yeung’s spy had blew a case and the spy wish to kill Yeung, but Yeung took his gun and shot him to conclude this failure. Lau gave Yeung car park seat B3A6 when Yeung met Lau. Yeung asked Chan who he is, but Chan didn’t remember him. Sam works with Yeung and Lau is recording Yeung’s words so that he can sue Yeung. Yeung is a police SP, which is being sent to Sam as the spy from police. Lau doesn’t really know Yeung’s Police SP position and wish to catch Yeung to the police head. Yeung work with another inspector who is a good friend of Yeung himself. Lau sneaked into Yeung’s office, stealing the cassette, and ask the head to tell him that Yeung is the spy of the triad… –IMDb
Andrew Lau was born 4 April 1960, and is one of six siblings. As a child, he was raised in the New Territories of Hong Kong. His father worked as a construction worker on Hong Kong Island. Since his parents did not have time to concentrate on all of their children, Lau had developed an interest in photography. Lau was also a Catholic, and would go to church every week, learning how to play a guitar. As a child and high school student, Lau admits to not liking Hong Kong, since it was a British colony.
Lau joined Shaw Brothers Studios after graduating from secondary school. He made his film debut as a semi-skilled cinematographer for Lau Kar-leung’s 1982 film, Legendary Weapons of China. He later served as a cinematographer for Sammo Hung’s 1986 martial arts film Millionaire’s Express and Ringo Lam’s 1987 crime thriller City on Fire, where he become known for his use of lighting and hand-held cinematography. His work on As Tears Go By (1988), the directorial debut of Wong Kar-wai… read more
Mak made his directorial debut in 1997, with his first film being Nude Fear, which was written and produced by Joe Ma. After that, Mak had directed more films such as Rave Fever, A War Named Desire, Final Romance and Stolen Love, which would be his first collaboration with writer Felix Chong.
In 2002, Mak and Chong wrote their first script together. The movie was Infernal Affairs, which was produced by Mak’s directing partner, Andrew Lau, who also served as cinematographer. Lau and Mak also served as directors for the film, and it would be the first of many collaborations involving the directing duo.
Infernal Affairs starred the four top actors of its year – Andy Lau, Tony Leung Chiu-Wai, Eric Tsang and Anthony Wong – along with the year’s two top actresses – Kelly Chen and Sammi Cheng. Infernal Affairs was the number one box-office hit in Hong Kong that year, breaking several box office records alone. Furthermore, the film won many Hong Kong Film Awards, including Best Picture… read more
Horrible.It's got incoherent written all over it.Plus,it isn't a satisfying conclusion to the trilogy.1 out of 5 stars