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Introduction to the End of an Argument

Muqaddimah Li-Nihayat Jidal

Canada, Lebanon

1990

45 Min
Color, Black and White
English
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DIR Jayce Salloum, Elia Suleiman

EXEC Jayce Salloum

Synopsis

Assembling a combination of Hollywood, European and Israeli film, documentary, news coverage together with excerpts of ‘live’ footage shot in the West Bank and Gaza strip, Introduction to the End of an Argument… critiques Western representations of the Middle East, Arab culture, and the Palestinian people.

The film mimics dominant forms of representation, subverting their methodology in a bid to arrest both imagery and ideology, decolonizing and recontextualizing images to provide space for a voice consistently denied expression in the mass media. —www.barbican.org.uk

Director

Original

Elia Suleiman

Elia Suleiman is a Palestinian-Israeli film director and actor. He is best known for the 2002 film Divine Intervention, a modern tragic comedy on living under occupation in the Palestinian territories which won the Jury Prize at the 2002 Cannes Film Festival. Between 1982-1993, Suleiman lived in New York City, where he directed two short films: Introduction to the End of an Argument and Homage by Assassination, that won numerous awards.
In 1996, Suleiman directed Chronicle of a Disappearance, his first feature film. It won the Best First Film Prize at the 1996 Venice Film Festival. In 2002, Suleiman’s second feature film, Divine Intervention, subtitled, A Chronicle of Love and Pain, won the Jury Prize at the Festival de Cannes and the International Critics (FIPRESCI) Prize, also receiving the Best Foreign Film Prize at the European Awards in Rome. Suleiman was part of the jury for the 2006 Cannes Film Festival. —World Cinema Foundation 

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