A former editor with a flair for both darkly satirical comedy and even darker British film noir, Robert Hamer was a key figure in postwar British cinema. His sensitive talent was probably best showcased in the handsome and witty period-set comedy of murders, “Kind Hearts and Coronets” (1949) and the realistic yet superbly moody noir “It Always Rains on Sunday” (1947). Hamer was also responsible for what some critics consider the best segment in the classic horror anthology, “Dead of Night” (1945), in which a haunted mirror keeps displaying a murder committed long ago, and which begins to take possession of its new owner. Among other films, the adult and complexly plotted “The Spider and the Fly” (1949) and the witty and civilized detective comedy “Father Brown” (1954) stand out. Unfortunately, Hamer’s highly promising career was derailed by an alcohol problem and he died at the age of 52. —TCM
Two years before directing Kind Hearts And Coronets Hamer was at the helm of this superior drama, proving that there was much more to the output of Ealing than its ability to keep audiences of the day rolling with laughter in the aisles of their local cinemas. An ensemble cast portray a rainy day in the lives of an East End community centering on an escaped prisoner's attempts to avoid the police. Highly recommended.
Better and more compelling than most modern dramas. There's a stunningly beautiful chase through a rail yard toward the end which would not be nearly so striking and effective in color as it is in black and white.
Adrian Curry looks at the life of left-wing war artist, and part-time Ealing poster designer, James Boswell.