A former editor with a flair for both darkly satirical comedy and even darker British film noir, Robert Hamer was a key figure in postwar British cinema. His sensitive talent was probably best showcased in the handsome and witty period-set comedy of murders, “Kind Hearts and Coronets” (1949) and the realistic yet superbly moody noir “It Always Rains on Sunday” (1947). Hamer was also responsible for what some critics consider the best segment in the classic horror anthology, “Dead of Night” (1945), in which a haunted mirror keeps displaying a murder committed long ago, and which begins to take possession of its new owner. Among other films, the adult and complexly plotted “The Spider and the Fly” (1949) and the witty and civilized detective comedy “Father Brown” (1954) stand out. Unfortunately, Hamer’s highly promising career was derailed by an alcohol problem and he died at the age of 52. —TCM
Better and more compelling than most modern dramas. There's a stunningly beautiful chase through a rail yard toward the end which would not be nearly so striking and effective in color as it is in black and white.
a rich slice of lower class life in london's east end. googie withers plays a tough housewife, settled in with older husband and stepkids, whose sense of adventure is rekindled when her lost lover escapes from prison and turns up on her doorstep. lovely grimy desperation ensues. considered a precursor to kitchen sink dramas of 60s british cinema.
Adrian Curry looks at the life of left-wing war artist, and part-time Ealing poster designer, James Boswell.