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Italian for Beginners

Italiensk for begyndere

Denmark, Sweden

2000

118 Min
Color
1.66:1
English, Italian, Danish
  • Currently 3.3/5 Stars.
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DIR Lone Scherfig

EXEC Gert Duve Skovlund, Peter Aalbæk Jensen, Marianne Moritzen, Vinca Wiedemann

PROD Ib Tardini, Lars von Trier

SCR Lone Scherfig

DP Jørgen Johansson

CAST Anders W. Berthelsen, Anette Støvelbæk, Ann Eleonora Jørgensen, Peter Gantzler, Lars Kaalund, Sara Indrio Jensen, Karen-Lise Mynster, Rikke Wölck, Elsebeth Steentoft, Bent Mejding, Lene Tiemroth, Claus Gerving, Jesper Christensen

ED Gerd Tjur

SOUND Dan Edelstein

Berlinale (Competition): Jury Prize, FIPRESCI Prize, Prize of the Ecumenical Jury, New York, Toronto, Telluride, Athens, Vancouver, AFI FEST (European Showcase), Chicago (Competition), Ghent, San Sebastián (Cold Fever), Göteborg (Nordiskt ljus: Danmark)

Synopsis

This fifth Danish Dogme film is about six vulnerable individuals whose lives are interwoven. In a city suburb, a young minister arrives to take up duties at a local church. He is persuaded by his assistant to join an Italian night school class, and he soon becomes the centre of a group of people to whom fate has dealt quite serious blows. Gradually each one in the group manages to overcome his/her predicament and find a happy solution. —DFI

Director

Original

Lone Scherfig

Danish filmmaker Lone Scherfig is part of the Dogme 95 film movement, which espouses a form of cinéma vérité that eschews special effects and glitzy treatment of its subjects. Cameras are handheld; films are shot on location with no extraneous props or atmospheric music. This is all part of the group’s renowned, so-called “Vow of Chastity.”
Employing the principles of Dogme 95, Scherfig made Italian for Beginners in 2001. The film won the Silver Bear juried prize at the Berlin Film Festival, and has enjoyed accolades from audiences in Europe and America, where the director made a special version minus the Danish inside jokes. The romantic comedy — a new direction for the normally serious Dogme 95 — centers around a group of disparate people in Copenhagen, who meet to learn the Italian language. Relationships form; romances blossom; the story unfolds with ever increasing complications and convolutions, hinting at the complexities of love. The love angle may reflect a female sensibility… read more

Wall

Displaying 4 of 11 wall posts.
Picture of Yu La

Yu La

31Dec12

A story all around its characters, drama and comedy where irony appears and disappears in a flash, essential and romantic tone. Simply of what Dogma is searching for, here a coral fleeting moment, a snapshot of reality in the scenes where the film takes place.

Picture of Vaida Kazlauskaitė

Vaida Kazlauskaitė

23Sep12

Though this one is alright as a starter, I'd go for more downbeat Dogme films.

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LaHaine

5Mar12

If you were going to show someone going into Dogme95 a starter film it would be this quirky romantic comedy which is the lightest and upbeat of all Dogme95 films. Wonderful performances from all and the last 20 minutes in Venice are romantic and touching as anything you see. My third fav from the Dogme95 after Festen and the Idiots.

Jesse likes this

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Canaletto

26Jun11

Cinta que dio paso a la segunda ola del Dogma 95, esta confirmo o dio validez al movimiento. Exitosa en la taquilla y con la crítica. Esta "comedia" se respalda en los personajes en los cuales se enfoca y se beneficia de un estupendo casting. Una pequeña cinta que agrada por tener los pies en el suelo y nunca pretender ser otra cosa.

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