Yuko is 35 years old, single, out of work, and on medication from her psychiatrist to combat her manic depression. Living in Kamata Town, Yuko divides her time between a variety of men friends, each with his own peculiarities. Her university classmate, Homma, suffers from impotence. “K”, whom she meets on the net, is a self-confessed pervert. Then, there is a young gangster, Yasuda, who is a fellow manic depressive. Her cousin, Shoichi, is also on the scene, having left his family to pursue his mistress, only to be given the cold shoulder by her, too. Yuko seems to create a different persona depending on whom she is talking to at the time. Human contact is just as important for her as for anyone else, but sometimes her condition makes it difficult for others to relate to her for as long as she would like. —IMDb
Ryūichi Hiroki (廣木 隆一 Hiroki Ryūichi?) is a Japanese artist, film director, and film editor. Ryūichi Hiroki is now one of the most prolific film directors in Japan. He is a pioneer in using digital video to shoot theatrical films in Japan. When he wanted to learn about making films as a student, he found a training opportunity in the pink film industry, a genre of erotic films produced exclusively for theatrical release since the early 1960s. He first produced the erotic film Seigyaku-Onna wo Abaku (Catch the Woman Out) in 1982. Hiroki left this genre when he received a scholarship at the Sundance Company in Tokyo. During his stay at Sundance, he wrote the script which he later developed into his 2000 film Tokyo Trash Baby. He is described by one film critic as one of Japan’s most fascinating film makers. —Wikipedia