A poor but beautiful girl named Jeanne takes part in a beauty contest but fails to be crowned its queen. Nevertheless both her determination and her shapely figure impress Sal Satori, the organizer, so much that he gives her a job as a carnival dancer. He becomes her friend and, before long, her great love. However, being a hootchie-kootchie dancer is not Jeanne’s dream: she wants to be an actress. That is why Jeanne takes advantage of the Satori company being in New York to consult a renowned drama teacher, Mrs. Neilson. The latter thinks she CAN act and she is proved right since the audience of the first play Jeanne is in responds favorably. But Jeanne will only feel wholly satisfied when she acquires star status. She soon obtains the part which will lead her to stardom by stealing it from Elsie Desmond, an aging actress who planned a comeback through it. In desperation, Elsie commits suicide. Although feeling somewhat guilty, Jeanne openly relishes her triumph, which upsets her companion who does not understand her attitude. Sal ends up leaving her, a commotion she will never get over. She starts drinking and taking drugs and begins a slow descent into hell… —IMDb
The son of a producer and MGM executive, and a mother who was one of the Mooney Sisters in vaudeville, George Sidney worked his way up from messenger boy to director of numerous MGM musical hits—at one point 15 consecutive box office winners. Though his artistry is not as renowned as Vincente Minnelli, Stanley Donen and Busby Berkeley, Sidney can lay claim to having directed such classic musicals as “Anchors Aweigh” (1945) “The Harvey Girls” (1946), the 1951 remake of “Show Boat” and “Bye Bye Birdie” (1962).
Sidney actually broke into show business as a five-year old, playing sidekick to Tom Mix in the silent film “The Littlest Cowboy” (1921). But he did not pursue acting as a child. Instead, at age 18, Sidney went to work at MGM, first as a messenger boy, then as a sound technician and film editor. Still a teenager, he graduated to directing “Our Gang” comedies, and, at the age of 20, was put in charge of directing all of MGM’s screen tests. He was also directing short films… read more