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Jerichow

Germany

2008

93 Min
Color
1.85:1
German, Turkish
  • Currently 3.4/5 Stars.
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DIR Christian Petzold

PROD Florian Koerner von Gustorf, Jochen Kölsch, Bettina Reitz, Andreas Schreitmüller, Michael Weber

SCR Christian Petzold

DP Hans Fromm

CAST Benno Fürmann, Nina Hoss, Hilmi Sözer, André Hennicke, Claudia Geisler

ED Bettina Böhler

PROD DES K.D. Gruber

MUSIC Stefan Will

Venice (Competition), Toronto (Contemporary World Cinema), Rotterdam (Spectrum), Berlinale (German Cinema), BAFICI, Edinburgh (Director's Showcase), Helsinki

Synopsis

The dishonorably discharged Afghanistan veteran Thomas returns to his home village of Jerichow. Ali, a local Turkish-German businessman, owner of a snack-bar chain, hires him as a driver. That’s when Thomas meets Laura, his Turkish boss’s young and attractive wife. A classic love triangle is born, unfolding in desolate northeast Germany, where thick forests suddenly end on cliffs overlooking the Baltic Sea. Caught between guilt and freedom, between passion and reason, the protagonists have no hopes for fulfillment of their dreams. –Warsaw Film Festival

Director

Original

Christian Petzold

Christian Petzold was born September 14, 1960, in Hilden, as the oldest of three sons. He grew up in Haan, where he went to school and finished his high school degree in 1979. After finishing civil service, Christian Petzold went to Berlin in 1981 and started to study German studies and dramatics at Freie Universität Berlin. After his graduation in 1989, Petzold continued to study at Deutsche Film- und Fernsehakademie Berlin (dffb). During his studies, Christian Petzold worked as an assistant director for Hartmut Bitomsky and Harun Farocki – who contributed to all of Petzold’s later feature films – and worked as a film critic for several newspapers and magazines.

After several short films, including Süden and Das warme Geld, Petzold finished his graduation film for dffb, Pilotinnen, in 1994. The film production company Schramm Film Koerner & Weber participated in the production of Pilotinnen and Petzold continued to collaborate with the… read more

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Jorge Mourinha

10Sep12

The postman doesn't always ring the same way twice. This is good.

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AdamantCocoon

7Aug12

This is the first Petzold film to wrangle me out of my testament in defense of the prodigious auteur's consistency. Gone is the brooding, suggestive power that enveloped Petzold's characters in the vacuum of their non-existence. He once dexterously revivified the renegade tale with The State I Am In; as redux of another bromidic story, Jerichow just feels rigged, because Petzold inexplicably forgoes psychology.

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lolo341

23Oct11

Well filmed and acted yet I was unable to buy the most important elements.

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Neo-Gloom

13Jun10

I would have chosen the further destination first. Shows how little I understand about the shipping industry.

Neither/Nor and 2 others like this

PoutingBear, Mark Johnson

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Our roundup of essays and articles on this film.
W184

Spatial Suspense: A Conversation with Christian Petzold

By Daniel Kasman on October 16, 2012

The director of Barbara talks horror films, surveillance, shooting on 35mm, the sound of a room, the silence of a set.

read article
W184

Berlinale. Breakouts from the Berlin School

By David Hudson on February 23, 2010

Anyone looking for a running motif at this year's Berlinale didn't have to look far. Prisons. More to the point, men in prisons — or just

read article
W184

Issues: Adrian Martin in IndianAuteur, Christian Petzold in epd Film

By David Hudson on November 25, 2009

Something to be thankful for while they're still around: Magazines. Of course, in one form or another, there will likely always be magazine

read article

TIFF Review: JERICHOW

By Twitchfilm.com on May 17, 2011
Coming into Christian Petzold’s rural neo-noir, it might be helpful to have an understanding of the films that he is aiming to re-create. Like his previous film, Yella, which played with the conventions
read on Twitchfilm.com

TIFF Review: JERICHOW

By Twitchfilm.net on July 16, 2010
Coming into Christian Petzold’s rural neo-noir, it might be helpful to have an understanding of the films that he is aiming to re-create. Like his previous film, Yella, which played with the conventions
read on Twitchfilm.net

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