Shocking, outrageous, and poetic, Jigoku (Hell, a.k.a. The Sinners of Hell) is the most innovative creation from Nobuo Nakagawa, the father of the Japanese horror film. After a young theology student flees a hit-and-run accident, he is plagued by both his own guilt-ridden conscience and a mysterious, diabolical doppelganger. But all possible escape routes lead straight to hell— literally. In the gloriously gory final third of the film, Nakagawa offers up his vision of the underworld in a tour de force of torture and degradation. A striking departure from traditional Japanese ghost stories, Jigoku, with its truly eye-popping (and -gouging) imagery, created aftershocks that are still reverberating in contemporary world horror cinema. —The Criterion Collection
Nobuo Nakagawa (18 April 1905 — June 17, 1984) was a Japanese film director, most famous for the stylized, folk tale-influenced horror films he made in the 1950s and 1960s. Nakagawa began his film career as an apprentice to Masahiro Makino in 1934 and made his directorial debut with Itahachi Jima (1938). To Western audiences, his most famous film is Jigoku (1960), which he also co-wrote. The film was released on DVD by the Criterion Collection in 2006. His last film was 1982’s Kaiidan: Ikiteiru Koheiji. —Wikipedia
For some reason, I can't disassociate this film from an unrelated nightmare I had months after seeing it where I had a terrible death/vomit/rotten tuna-fish taste in my mouth... I can't even look at screenshots without imagining the taste! What the heck?
had its moments of brilliance but overall I found this film to be overtly pretentious for some reason. i dont remember much as this review should have been written 6 months ago when i saw the film, but that explains the situation. A good film is memorable, and this surely wasn't for me.
"It's much easier to run a hospital with all the patients sleeping." “Easiest way to run the world, for that matter.” The Final Programme