Jimi Hendrix and Otis Redding arrived at California’s Monterey International Pop Festival virtually unknown. Returning stateside from London, where he had moved to launch his musical career, Hendrix exploded onstage, flooring an unsuspecting audience with his maniacal six-string pyrotechnics. Redding, a venerable star of Memphis’s Stax record label, seduced the “love crowd” in one of his best—and last— shows. Jimi Plays Monterey and Shake! Otis at Monterey, acclaimed documentarian D. A. Pennebaker’s Monterey Pop companion pieces, feature the entire sets by these legendary musicians, performances that have entered rock-and-roll mythology. —The Criterion Collection
One of the founding fathers of “direct cinema”, American filmmaker’s adopted name of choice for “cinema verite”, and perhaps its best known practitioner during the 1960s and early 70s, Pennebaker helped construct a style of storytelling and an attitude toward his subjects (often political figures or entertainers) that influenced a generation of nonfiction filmmakers. He is a proponent of a cinema which favors the filming reality in as unobtrusive a manner as possible, usually without narration.
This former engineer, advertising copywriter and painter began making films in the early 50s after falling under the influence of experimental filmmaker Francis Thompson. Pennebaker’s first film, “Daybreak Express” (1953), combined his documentary and experimental impulses in a five-minute portrait of the soon-to-be-demolished Third Avenue elevated subway in NYC set to Duke Ellington’s music. Pennebaker later established himself as a member of Drew Associates, which included major documentarians… read more