A woman married to the brutal and infertile owner of a dye mill in rural China conceives a boy with her husband’s nephew but is forced to raise her son as her husband’s heir without revealing his parentage in this circular tragedy. Filmed in glowing technicolour, this tale of romantic and familial love in the face of unbreakable tradition is more universal than its setting. –IMDb
Zhang Yimou is one of the best-known directors of the Chinese Fifth Generation and one of the most influential and widely respected filmmakers working today. Zhang was born in 1950, in the city of Xi’an in Shaanxi Province, to a future in Communist China that seemed unpromising; his father was an officer in Chiang Kai-shek’s Kuomintang Army and one of his brothers was accused of being a spy, while another fled to Taiwan. During the 1950s, his family’s background was suspect and during the convulsive tumult of the Cultural Revolution of the 1960s, it was criminal. Zhang was pulled out of high school and sent to toil with the peasants. Later, he transferred to a textile factory. While working there, Zhang reportedly sold his own blood to buy his first camera.
In 1978, at the age of 27, Zhang passed the entrance exam for the Beijing Film Academy but was rejected on account of his age. After an appeal to the Ministry of Culture, however, he was enrolled in the B.F.A.‘s class of 1982… read more
This is a film that needs a Blu-ray release, pronto. It wouldn't be that urgent, but the DVD is laughably bad, especially considering how successful of a filmmaker Zhang is. Regardless, I only take time to complain because of how wonderful Ju Dou was. Zhang is great, and Gong Li once again captivated.