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Synopsis

Julia is 40 and an alcoholic. She is manipulative, unreliable and a notorious liar – but in spite of everything else, she is still an imposing presence. A woman for whom a well-preserved 1979 Chrysler New Yorker is just the right vehicle. In between the many vodkas and occasional one-night-stands, Julia manages to scrape together a living by doing one low-paid job after another. But life is getting lonelier and lonelier. The only person who still shows her any affection and would like to help her is her old boyfriend Mitch. But Julia ignores his efforts. Her daily dose of alcohol only serves to strengthen her conviction that she is one of life’s losers and that she is not responsible for the chaos she has made of hers so far. But then, in one of her soberer moments, she catches a glimpse of the dark and slippery road ahead. In panic and desperation but also driven by financial necessity she turns to crime as a way out. But nothing goes as planned and she is forced to go on the run. Inspired by John Cassavetes’ film Gloria, Erick Zonca tells the story of a no-less fabulous moll in a thrilling road movie that takes Julia and little Tom all the way down to Mexico.

Director

Original

Erick Zonca

Erick Zonca (born September 10, 1956, in Orléans, France) is a French film director, best known for his critically acclaimed, award-winning 1998 feature film debut The Dreamlife of Angels. The film won the Best Actress award at the 1998 Cannes Film Festival. His first films were the shorts Rives (1992), Eternelles (1995), and Seule (1997). Zonca’s second feature was Le Petit Voleur (The Little Thief) (1999). His most recent, Julia (2008), based on John Cassavetes’ 1980 movie Gloria, starred Tilda Swinton and was shot in California and Mexico. —Wikipedia 

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Eduardo A.

7Feb12

Tension until the last moment.

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msmichel

7Dec11

Another mesmerizing performance by the great Tilda Swinton in this well written and directed film by Erick Zonca. A darker take/homage to Cassavetes' 'Gloria' that isn't afraid to dwell on the darker side of human nature. The ending ultimately a bit of a let down but the two and half hours getting there very satisfying. Is there anything Swinton can't do?

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Patricia

30May11

Tilda is such a treasure! This picture is such a breath of fresh air, it is really a provoking picture, its dirty and ugly at times. But yet it has this power that it just grabs you and makes you see this character's reality. The ending is so fantasic it left me really wanting her to get want she wants, she wins you over, when in fact its wrong on what she has done. It's just a great film.

Guillermo Padilla

29May11

A pesarde la buena actuación de Tilda Swinton,el film se pierde con sobreactuaciones de los actores mexicanos, y una dirección muy plana.

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Julia Harris has had enough.

By Wilsonj​d2 on May 11, 2011

There are few actresses working today who are as spellbinding to watch as Tilda Swinton. It has taken me far too long to watch what may be her most gripping performance so far in “Julia,” a thriller…  read review

Booze, mascara, morality and Tilda

By McKittr​ick on December 8, 2009

As shamelessly biased as I am towards the monumental abilities of our transcendent goddess of cinephilia that is La Tilda of Swinton, I was still a little in awe of her raw, not to mention brave, performance…  read review

Untitled

By Mugino on October 31, 2009

There are those who go to the movies for escapism — to see superhumans who surpass us in power, beauty, even morality. But I have a soft spot for flawed characters whose strengths and weaknesses both…  read review

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