Brutus, Cassius, and other high-ranking Romans murder Caesar, because they believe his ambition will lead to tyranny. The people of Rome are on their side until Antony, Caesar’s right-hand man, makes a moving speech. The conspirators are driven from Rome, and two armies are formed: one side following the conspirators; the other, Antony. Antony has the superior force, and surrounds Brutus and Cassius, but they kill themselves to avoid capture. –IMDb
Born in Wilkes-Barre, Pennsylvania, on February 11, 1909, Joseph Leo Mankiewicz first worked for the movies as a translator of intertitles, employed by Paramount in Berlin, the UFA’s American distributor at the time (1928). He became a dialoguist, then a screenwriter on numerous Paramount productions in Hollywood, most of them Jack Oakie vehicles. Still in his 20s, he produced first-class MGM films, including The Philadelphia Story (1940). Having left Metro after a dispute with studio chief Louis B. Mayer over Judy Garland, he then worked for Darryl F. Zanuck at 20th Century-Fox, producing The Keys of the Kingdom (1944), when Ernst Lubitsch’s illness first brought him to the director’s chair for Dragonwyck (1946). Mankiewicz directed 20 films in a 26-year period, successfully attempted every kind of movie from Shakespeare adaptation to western, from urban sociological drama to musical, from epic film with thousands of extras to a two-character picture. A Letter to Three Wives (1949… read more
Liked it enough to watch it twice, but it's too serious, too oratorical, too epic, and too Hollywood -- and Brando isn't quite up to Shakespeare. Done right, the play can be more richly dramatic, and Brutus, notwithstanding his Stoicism, can be much more emotive.