Jumping

Canada, Japan

1984

7 Min

Color

None

Currently 3.9/5 Stars.
1
2
3
4
5

|

SOUND Shizuo Kurahashi

Cannes (Out of Competition), Melbourne (Buried Treasures – Osamu Tezuka), Locarno (Manga Impact - The World of Japanese Animation)

Synopsis

A tour de force of technique and the imagination. Influenced by the experimental hungarian animation, The Fly, Jumping utilizes the point-of-view gag to convey a breathtaking view of how powerful a child’s imagination can be. Apart from the technical virtuosity of the animation (containing over 4,000 cells in 6" shot over 2 1/2 years), Jumping is governed by wondrous rhythms as the jumps get bigger. While some have remarked that Tezuka is first a manga artist and second an animator, this film demonstrates the sharp rhythmic and dynamic sensibilities that expand Tezuka’s vision from being solely static and visual. —MIFF

Director

Osamu Tezuka

Osamu Tezuka was born in Osaka at a time when Japan was facing its greatest changes and challenges as a nation. Western culture and art, once rare, were now readily available in Japanese society. Young Tezuka was greatly influenced by the early animated films of Walt Disney, and was especially fascinated by the artistry of Disney’s animated masterpieces, Snow White and Bambi.

While in college, Tezuka began cartooning and created New Treasure Island (Shintakarajima), which sold over 400,000 copies — a staggering figure for a comic book at the time. His artwork for New Treasure Island is admired for its cinematic quality — events and emotions unfold as if the reader were watching a film. Throughout his creative career, Tezuka pioneered the East-meets-West storytelling style that greatly influenced the development of modern manga. Later, Tezuka formed his own animation studio and his innovations in this industry influenced the evolution of a homegrown anime/animation industry that… read more

Osamu Tezuka was born in Osaka at a time when Japan was facing its greatest changes and challenges as a nation. Western culture and art, once rare, were now readily available in Japanese society. Young Tezuka was greatly influenced by the early animated films of Walt Disney, and was especially fascinated by the artistry of Disney’s animated masterpieces, Snow White and Bambi.

While in college, Tezuka began cartooning and created New Treasure Island (Shintakarajima), which sold over 400,000 copies — a staggering figure for a comic book at the time. His artwork for New Treasure Island is admired for its cinematic quality — events and emotions unfold as if the reader were watching a film. Throughout his creative career, Tezuka pioneered the East-meets-West storytelling style that greatly influenced the development of modern manga. Later, Tezuka formed his own animation studio and his innovations in this industry influenced the evolution of a homegrown anime/animation industry that flourishes today.

Tezuka mentored and influenced many contemporary manga artists. His decision to draw characters with large eyes to enhance their expressive, emotional qualities has been passed down to many generations of artists who have followed in his footsteps. Today, the Asahi Shimbun, a major Japanese newspaper, honors excellence in contemporary manga with the Osamu Tezuka Cultural Prize.

Dr. Tezuka was not only innovative, he was extremely prolific. In his 40+ years as a cartoonist and animator, Tezuka created 700 stories and 17,000 pages of comic book art, and numerous popular and award-winning animated TV series and award-winning short films and feature-length movies.

Another remarkable aspect of Tezuka’s career is his consistent ability to draw compelling, sensitive stories in a variety of genres, for almost all ages of readers. For example, Astro Boy and Kimba the White Lion were meant for young boys. Princess Knight was created for Nakayoshi, a magazine for girls. With their complex, nuanced storylines and dynamic compositions, works such as Phoenix and Buddha were clearly meant for older audiences. And yet all of these works, no matter how different in tone, style and intended audience, still retain Tezuka’s style of drawing.

Dr. Tezuka died at the age of 60 in 1989, drawing and writing until the end. His lifework was honored by the opening of the Osamu Tezuka Museum of Cartoon Art in Takarazuka, Japan. Today, more and more of Tezuka’s manga is being translated into English, French, German and is readily available to comics connoisseurs worldwide. —Deb Aoki

read less