Starts out with a tribe of African cannibals imitating Native Americans. After this, they do the new Warner Bros. Looney Tunes theme “The Merry-Go-Round Broke Down.” Then a sloppy stuttering salesman knocks on their doors, and they bring him in and put him in a pot of boiling water. The queen of the tribe wants to see the man. She falls in love with him. They get married, but when the salesman sees he has to kiss the bride, he decides he’d be better off being dinner for a tribe of hungry cannibals. —IMDb
Friz Freleng began animating cartoons with Hugh Harman and Ub Iwerks at United Film Ad Service in the mid-1920s, then moved with his associates to the Disney studios. Freleng left Disney in 1929 and after directing his first cartoon for Walter Lantz at Universal (Wicked West), joined the Warner Brothers animation department. There his black-and-white cartoons of the mid-‘30s showed a special flair for integrating music and action, especially in his “Bosko” series. Freleng began directing Warners’ color series of Merrie Melodies cartoons in 1934 and over the next three decades made many of Warners’ funniest cartoons, creating such memorable characters as Yosemite Sam (said to be a self-caricature) and Speedy Gonzalez, as well as developing the identities of such iconic figures as Porky Pig (Porky’s Hired Hand), Bugs Bunny (Racketeer Rabbit, Rhapsody Rabbit), Daffy Duck (Ain’t That Ducky), and Sylvester and Tweety (Tweetie Pie, Birds Anonymous). After Warners’ cartoon unit folded, Freleng… read more
Some inspired visual gags...but through modern eyes, political correctness or not, you cannot help but cringe at the racial stereotypes.
Second-string American animator Friz Freleng (“Clean Pastures” & “Sunday Go to Meetin’ Time”) draws inspiration from the ignorant racial stereotypes of the age for this misguided short which deserves… read review