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Kansas City Confidential

United States

1952

99 Min
Black and White
1.37:1
Spanish, English
No Subtitles
Audio in English
  • Currently 3.8/5 Stars.
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DIR Phil Karlson

PROD Edward Small

SCR George Bruce, Harry Essex, Rowland Brown, Harold Greene

DP George E. Diskant

CAST John Payne, Coleen Gray, Preston Foster, Neville Brand, Lee Van Cleef, Jack Elam, Dona Drake, Mario Siletti, Howard Negley

ED Buddy Small

PROD DES Edward L. Ilou

MUSIC Paul Sawtell

SOUND Fred Lau

Synopsis

A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he’s finally released for lack of evidence—after having been beaten up and tortured by the police—he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops. —IMDb

Director

Original

Phil Karlson

Phil Karlson (July 2, 1908, Chicago, Illinois – December 12, 1985, Los Angeles, California was a film director known for his no-nonsense film noirs. Karlson directed 99 River Street,Kansas City Confidential and Hell’s Island all with actor John Payne in the early 1950s. Other films include Rocky (1948), The Phenix City Story (1955), 5 Against the House (1955) and The Young Doctors (1961).

Phil Karlson was the son of popular Irish actress Lillian O’Brien.

He studied painting at Chicago’s Art Institute, and law, at his father’s request, at Loyola Marymount University in California.

Karlson got into the film industry working as a prop man while a law student. After working a number of film jobs, including being an assistant director for a number of Abbott and Costello films, Karlson directed his first film in 1944 and in 1948 directed the first film starring Marilyn Monroe, Ladies of the Chorus. He worked on a number of low-budget projects for Monogram Pictures and… read more

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serotoninronin

28Feb12

I've softened my stance on this after writing a paper on it. IF this is a noir, it is a highly anomalous one.

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serotoninronin

19Jan12

I love this movie. Probably one of my five favorite heist flicks. Anyone who mistakes this for a noir is, well, making a mistake. Little known fact: early 50's crime flick =/= noir.

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Tony Zhou

25Aug11

Why do I feel this movie just deflates? The opening scene is excellent visual storytelling, the three accomplices have perfect faces, but once it gets to Mexico, it drags. The love interest acts in ways that are borderline absurd, plus I get a sappy ending. Where's the noir I was promised at the beginning of this movie?

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DT

29Jun11

For what’s supposedly a B-picture, this is really well handled across the board. It’s taut, fluid and really entertaining as it moves at a brisk pace; that is, until it slows down considerably in its second half and suddenly ceases to be so engaging. The latter sections do mar the film but even then, and while this never reaches great heights, this heist-noir is one of the better entries in its genre.

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By Byron Brubake​r on February 17, 2011

May have inspired Affleck’s The Town a bit. Also a bit similar to The Taking of Pelham One Two Three (the original at least). A bank heist is masterminded. The big man in charge wears a mask when he…  read review

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