Keep the Lights On chronicles the emotionally and sexually charged journey through the love, addiction, and friendship of two men. Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but they find a deeper connection and become a couple. Individually and together, they are risk takers—compulsive, and fueled by drugs and sex. In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity, and to be true to himself.
Keep the Lights On is shot with a grainy beauty that transports us to its late ’90s setting. It resonates with textures of New York City, accentuated by disco beats and a mournful cello, both from musician Arthur Russell’s eclectic catalog. Director Ira Sachs’s fearlessly personal screenplay is anchored by Danish actor Thure Lindhardt, who embodies Erik’s isolation and vulnerability with a gentle presence. Harrowing and romantic, visceral and intellectual, Keep the Lights On is a moving film that looks at love and all of its manifestations, taking it to dark depths and bringing it back to a place of grace. –Sundance Film Festival
Ira Sachs is a writer and director based in New York City. His films include Married Life (2007), The Delta (1997), and the 2005 Sundance Dramatic Grand Jury Prize–winning Forty Shades of Blue. His most recent film, Last Address, is a short work honoring a group of New York City artists who died of AIDS. Sachs is the founder and cocurator of Queer/Art/Film, a monthly series held at the IFC Center in New York, as well as its newly established program that supports mentorship among queer working artists. –Sundance Film Festival
Brilliant acting, with a beautifully sad story made this film deeply moving. Dragged in the middle a little but the ending and first 45 minutes were perfect. Highly recommended.
Deeply affecting, intelligently drawn portrait of two men whose tumultuous relationship goes through a series of ups and downs, from drug addiction to infidelity, over the course of 9 years. A refreshingly frank and honest portrayal of gay love and sexuality, the film is at once painful and cathartic, deftly avoiding the usual cliches and pitfalls of gay romances.
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New work by Tony Gatlif, Malgoska Szumowska, Ira Sachs, Volker Schlöndorff, Cao Hamburger, Pen-ek Ratanaruang…