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Killer Bait

Too Late For Tears

United States

1949

99 Min
Black and White
1.37:1
English
  • Currently 3.6/5 Stars.
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DIR Byron Haskin

PROD Hunt Stromberg

SCR Roy Huggins

DP William C. Mellor

CAST Lizabeth Scott, Don DeFore, Dan Duryea, Arthur Kennedy, Kristine Miller, Barry Kelley

ED Harry Keller

PROD DES Lou Rosso

MUSIC R. Dale Butts

SOUND Earl Crane Sr., Howard Wilson

Synopsis

One night on a lonely highway, a speeding car tosses a satchel of money, meant for somebody else, into Jane and Alan Palmer’s back seat. Alan wants to turn it over to the police, but Jane, with luxury within her reach, persuades him to hang onto it “for a while.” Soon, the Palmers are traced by one Danny Fuller, a sleazy character who claims the money is his. To hang onto it, Jane will need all the qualities of an ultimate femme fatale…and does she ever have them! –IMDb

Director

Original

Byron Haskin

Byron Conrad Haskin (April 22, 1899 – April 16, 1984) was an American film and television director. He was born in Portland, Oregon.

He is remembered today for directing 1953’s The War of the Worlds, one of many films where he teamed with producer George Pal. In his early career, he was a special effects artist, with a number of credits on Warner Bros. films, eventually becoming the head of the studio’s special effects department. During his tenure there he earned three Oscar nominations for his effects work, and was even recognized with a Scientific and Technical Award citation for developing a rear-projection system useful in effects photography. In the late 1940s he turned to directing, helming Treasure Island, Walt Disney’s first live-action feature. In 1953 he began his collaboration with George Pal, followed by The Naked Jungle, Conquest of Space in 1955, and The Power in 1967. His other most noteworthy film is the science fiction adventure Robinson Crusoe on Mars, released… read more

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Dave

14Jun12

To me, this is the quintessential underappreciated B-noir of the 1940s. It takes shoddy production, a pulpy script, and direction and set design aiming to make things as dark as possible, and ends up producing one of my all-time favorite noirs. In terms of low budget masterpieces, it ranks among the very best of the genre, only slightly behind more celebrated classics like the previously mentioned Detour.

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