A dour student, Young-gul, crosses paths with an elderly book salesman obsessed with Hitler and Nietzsche, a two-thousand year-old female corpse, and a mad scientist. Young-gul wants to commit suicide but the book salesman insists the human will even overcome biological death. Young-gul tests this by trying to kill him. Later the corpse comes to life in the hope that Young-gul will impregnate her. –IMDb
Kim Ki-young (October 1, 1922 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. Kim was born in Seoul during the Japanese occupation, raised in Pyongyang and spent time in Japan, where he became interested in theater and cinema. In Korea after the end of World War II, he studied dentistry while becoming involved in the theater. During the Korean War, he made propaganda films for the United States Information Service. In 1955, he used discarded American equipment to produce his first two films. With the success of these two films Kim formed his own production company and produced popular melodramas for the rest of the decade.
Kim Ki-young’s first expression of his mature style was in his The Housemaid (1960), which featured a powerful femme fatale character. It is widely considered to be one of the best Korean films of all time. After a “Golden Age”… read more