Kim

United States

1950

113 Min

Color

1.37:1

English

Currently 3.5/5 Stars.
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SCR Leon Gordon, Helen Deutsch, Richard Schayer

CAST Errol Flynn, Dean Stockwell, Paul Lukas, Robert Douglas, Thomas Gomez, Cecil Kellaway, Arnold Moss, Richard Hale

MUSIC André Previn, Bronisłau Kaper

Synopsis

Kim, a young boy living on his own on the streets of India, is actually the son of a British officer. He meets a lama, a holy man, and devotes himself to his tending. But when British administrators discover his birthright, he is placed in a British school. His nature, however, is opposed to the regimentation expected for the son of a British soldier, and he rebels. His familiarity with Indian life and his ability to pass as an Indian child allows him to function as a spy for the British as they attempt to thwart revolution and invasion of India. Rejoining his holy man, Kim (with the help of daring adventurer Mahbub Ali) takes on a dangerous mission. —IMDb

Director

Victor Saville

Victor Saville (25 September 1895 – 8 May 1979) was an English film director, producer and screenwriter. He directed 39 films between 1927 and 1954. He also produced 36 films between 1923 and 1962.

He produced his first film, Woman to Woman, with Michael Balcon in 1923, and on the back of its success produced pictures for the veteran director Maurice Elvey, including the classic British silent Hindle Wakes (1927). His first picture as director was The Arcadians in 1927. In 1929 he and Michael Balcon worked together again on a talkie remake of Woman to Woman for Balcon’s company, Gainsborough Pictures, this time directed by Saville himself.

From 1931, as Gainsborough Pictures and the Gaumont British Picture Corporation joined forces, Victor Saville produced a string of comedies, musicals and dramas for Gainsborough and Gaumont-British, including the popular Jessie Matthews pictures. In 1937 he left to set up his own production company, Victor Saville Productions, and made… read more

Victor Saville (25 September 1895 – 8 May 1979) was an English film director, producer and screenwriter. He directed 39 films between 1927 and 1954. He also produced 36 films between 1923 and 1962.

He produced his first film, Woman to Woman, with Michael Balcon in 1923, and on the back of its success produced pictures for the veteran director Maurice Elvey, including the classic British silent Hindle Wakes (1927). His first picture as director was The Arcadians in 1927. In 1929 he and Michael Balcon worked together again on a talkie remake of Woman to Woman for Balcon’s company, Gainsborough Pictures, this time directed by Saville himself.

From 1931, as Gainsborough Pictures and the Gaumont British Picture Corporation joined forces, Victor Saville produced a string of comedies, musicals and dramas for Gainsborough and Gaumont-British, including the popular Jessie Matthews pictures. In 1937 he left to set up his own production company, Victor Saville Productions, and made three pictures for Alexander Korda’s London Films at Denham studios.

As an independent producer he had purchased the film rights to A. J. Cronin’s novel The Citadel, and was persuaded to sell them to Metro-Goldwyn-Mayer in return for the chance to produce the film and another big-budget adaptation, Goodbye Mr Chips (1939). Both films starred Robert Donat and were a great success in the USA as well as in Britain, providing Saville with a passport to Hollywood.

When the war broke out he was in America and was advised to remain there, producing pictures in support of the war effort such as The Mortal Storm and Forever and a Day (in which he worked for the last time with his former star Jessie Matthews), and in 1945 Tonight and Every Night, based on the Windmill Theatre in London.

After the war he continued directing films for MGM but eventually returned to Britain. Saville acquired production rights for Mickey Spillane’s Mike Hammer and produced a few features, though Spillane thought he only was interested in doing so to acquire the money to produce The Silver Chalice. He produced two final films in the 1960s, The Greengage Summer (1961) and Mix Me a Person (1962). —Wikipedia

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