Two Humans, “Uncle Vova” and “The Fiddler” accidentally find themselves on another planet after pushing the wrong button on the strange device in the hand of an odd hobo, claiming to be an alien. Planet “Pluke” in the galaxy “Kin-Dza-Dza” looks like a desert. All “aliens” look human, and can understand Russian, after reading uncle Vova’s mind. Their own language is mostly telepathic and is limited to 11 words – 10 plus “koo” – all other words. The whole paradox of Pluke is that their civilization is much more advanced than ours in time and space traveling, weaponry and so on, but totally barbarian in the social way. There is a special (and only) way to identify two groups of creatures by pointing a little device on the person, orange light – “Chatlanian” (superior), green – “Patsak” (lower class). The most valued things on the planet are matches (or, rather, the chemicals ordinarily used on Earth for match heads). One match head equals to 2200 “chatles”. Uncle Vova and Gedevan “the Fiddler” Alexidze, have a long and dangerous journey in order to get home… —IMDb
Georgi Daneliya was born on August 25, 1930 in Tbilisi, Georgia. Since 1939 the family lived in Moscow, where Danelia’s father was the chief engineer for the Moscow Underground Metro System. Daneliya’s father became a decorated WWII General, specializing in construction of underground bunkers for the Soviet Government. His mother was a good chess-player and later worked as a second unit director at Mosfilm. Daneliya’s mother’s sister Veriko Andjaparidze was married to Mikheil Chiaureli, who was a personal friend of Joseph Stalin. Daneliya first earned his architect’s degree from the Moscow Architecture Institute. Then he studied at the Higher Director’s Courses at Mosfilm under Mikhail Romm, and graduated in 1959, becoming a film director at the Mosfilm Studios in Moscow.
During the cultural “Thaw” initiated by Nikita Khrushchev Daneliya was at the start of the Soviet “New Wave” in films. He had his first success shared with Igor Talankin. Their film ‘Seryozha’ (1960) was awarded… read more
Um pusta filme, sensacional a visão de tecnologia "junk" e surreal. Muito bom mesmo, apesar de russo.