Ken Russell’s first film was this Medieval farce of maidens in distress and heroic knights who don’t have horses but do have bikes. It starts with a cross and a knight in armour (played by Russell) who eventually rides a bike to rescue a damsel in distress. She is abducted by a man in a wheelchair (a recurring image with Russell) and a person who under his robes turns out to be a wolf.
British director Ken Russell started out training for a naval career, but after wartime RAF and merchant navy service he switched goals and went into ballet. Supplementing his dancing income as an actor and still photographer, Russell put together a handful of amateur films in the 50s before being hired as a staff director by the BBC. Russell made a name for himself (albeit a name not always spoken in reverence) during the first half of the ‘60s by directing a series of iconoclastic TV dramatizations of the lives of famous composers and dancers. And if he felt that the facts were getting in the way of his story, he’d make up his own — frequently bordering on the libelous. If he had any respect for the famous persons whose lives he probed, it was secondary to his fascination with revealing all warts and open wounds.
A film director since 1963, Russell burst into the international consciousness with 1969’s Women in Love, a hothouse version of the D.H. Lawrence novel. No director… read more