Peter de Wit, a man in his fifties, awakens in the middle of the night and realizes with dismay that he is lying in the cold chamber of a morgue. How did he get there? He doesn´t remember, doesn´t want to remember … Assuming the identity of a corpse whose wallet he steals, Peter decides to give himself a new start in life, to invent a new biography for himself.
He becomes Lars Erickson, an enigmatic Swedish businessman passing through Brussels. Slipping into the identity of the traveler, Peter wanders the city as the middle-aged Swede, improvising as the situation requires, now discreetly, now with bravado … One evening, he comes across Lucie, a neurotic young artist who seems to have lost her memory. Almost without thinking, as a kind of natural reaction, he gives himself a lead role in her life, his fantasizing providing the perfect foil for her amnesia… —Bavaria International Film Festival
Fair debut from director Martine Doyen concerning a man who awakens in a morque and decides to reinvent himself in another city in another guise, and a woman who may or may not have amnesia brought on by memories of earlier trauma....and then they meet. Intially takes place in a murky Brussels before moving on to Bavaria in deepest winter both locales adding to the feel of the picture. Final moments a total miss.