A well-bred, lovely, spiritual, sad young woman marries an attentive physician who loves her. She feels affection but no love. Soon after, without design, she falls in love with Pedro Abrunhosa, a poet and performance artist. He also loves her. She keeps her distance from him, confessing her love to a friend who is a nun and, later, to her husband. Hunger for her love and jealousy consume him; she attends him as he wastes away. With his death, she can marry and express her passion, but what she does and how she explains herself, particularly to her cloistered friend, is at the heart of the film. Glimpses of convent life and of Abrunhosa on stage give contrast and mute comment. –IMDb
Manoel Cândido Pinto de Oliveira, GCSE (Portuguese pronunciation: [mɐnuˈɛɫ doliˈvɐjɾɐ]; born December 11, 1908) is a Portuguese film director born in Cedofeita, Porto. He is currently the oldest active film director in the world.
Manoel de Oliveira was born in Porto, Portugal on December 11, 1908, to Francisco José de Oliveira and Cândida Ferreira Pinto. His family were wealthy industrialists.
Oliveira attended school in Galicia, Spain and his goal as a teenager was to become an actor. He enrolled in Italian film-maker Rino Lupo’s acting school at age 20, but later changed his mind when he saw Walther Ruttmann’s documentary Berlin: Symphony of a City. This prompted him to direct his first film, also a documentary, titled Douro, Faina Fluvial (1931).
He also has the distinction of having acted in the second Portuguese sound film, A Canção de Lisboa (1933).
His first feature film came much later, in 1942. Aniki-Bóbó, a portrait of Oporto’s street children… read more
(um? coitadinho do Oliveira) What about his shoes in the movie? Always changing colors but always with the same awesome form. Yes, Abrunhosa is a problem for those looking for acting. As Trêpa is in others... But the movie is good - the Ill-Fated Love all over again, charming as only Oliveira could represent it.
It's a good movie, as expected from Oliveira, who has worked on the adaptation of Mme Lafayette's novel "The princess of Cleves".The idea of transposing the image of the seductive duc from the book to contemporary a popstar was good. Anyway, the casting of Pedro Abrunhosa for this role ruined the movie for me. He didn't really fit, he wasn't seductive, the chemistry with Chiara Mastroianni didn't really happen.