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La libertad

Argentina

2001

73 Min
Color
1.85:1
Spanish
  • Currently 4.0/5 Stars.
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DIR Lisandro Alonso

EXEC Lisandro Alonso

PROD Hugo Alberto Alonso

SCR Lisandro Alonso

DP Cobi Migliora

CAST Misael Saavedra, Humberto Estrada, Rafael Estrada, Omar Didino, Javier Didino

ED Lisandro Alonso, Martín Mainoli, Natalia Blajeroff

PROD DES Lisandro Alonso

MUSIC Juan Montecchia

SOUND Federico D'Auria, Catriel Vildosola

New York, Cannes (Un Certain Regard), London (World Cinema), Rotterdam

Synopsis

Pure, minimalist film in documentary style by the talented Alonso. A day in the life of a simple Argentine woodcutter on the pampas.

Simplicity is the most important characteristic of Lisandro Alonso’s disarming feature début, filming a day in the life of the young Argentine woodcutter Misael.Alonso: ‘I often saw Misael in the pampas and I thought that his isolated way of life in the country reflected the way a person feels in the city. Misael is not a professional actor, he doesn’t know what an actor is and has never been to the movies. He is a woodcutter who decided to work a bit as an actor in Freedom. To write the screenplay, I observed Misael’s life and marked the different moments of his daily routines. Writing the script was structuring the way Misael organized his day. (…) I chose not to show the extraordinary or spectacular things that happen every two, three or five years in one’s life, such as having a child, a serious accident or having something unexpected happen. One lives half of his life in a routine that no one notices. I wanted to record those minimal moments so that, upon seeing them, one may rethink what one is doing with his own life. The film does not attempt to simply reflect Misael’s experiences, but rather relate his life with other experiences those of the spectators and mine, because I am someone who leads a completely different life in the city. Nevertheless, if I had filmed a day in my life, it would have been the same as Freedom.’ –IFFR

Director

Original

Lisandro Alonso

Born in Buenos Aires in 1975, Lisandro Alonso studied at the Universidad del Cine (FUC) and co-directed in 1995 with Catriel Vildosola his first short film Dos en la Vereda (1995). After working as assistant sound engineer in many short films and a few features and as assistant director of Nicolas Sarquis for his film Sobre la Tierra, Lisandro Alonso returned to directing, making his first feature. In 2003 he founded 4L, a production company based in Buenos Aires, to produce his own films. Lisandro Alonso’s first feature La Libertad (2001) was chosen for the Festival de Cannes (Un Certain Regard). His most recent productions, Los Muertos (2004) and Fantasma (2006), were also invited to Cannes, premiering in the Director’s Fortnight. —The Match Factory 

Wall

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Jup4rkov

22Jun11

poor armadillo :(

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Kongtai

21Jun11

A simply story but that's all can make me fall in love with this film, La Libertad.

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InsertOzuReferencehere

17Sep10

A monster of a debut. Digs deep into the mundane and brings to surface a beauty that’s dangerously easy to overlook.

m. noone likes this

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W184

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FIRST PERSON RURAL: THE NEW NONFICTION: Lisandro Alonso On LA LIBERTAD

By Twitchfilm.com on April 29, 2011
“Film must provide audiences the opportunity to discover questions.”—Lisandro Alonso. When I interviewed programmer Diana Sanchez at the 2010 edition of the Toronto International Film Festival (TIFF
read on Twitchfilm.com

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La Libertad (2001)

By adrianm​endizab​al on November 28, 2011

The heaviness of the weight of the cinematic medium in terms of political and aesthetic content have undoubtedly changed the way we watch films. Consciously, we form expectations through our experiences…  read review

Work Ethic

By Jerry Johnson on April 25, 2010

Alonso’s big “fuck you” to the soft-core navel gazing, narcissism, and unspoken laziness of modern cinematic protagonists (yeah, I’m looking at you right now, Pedro Costa), “La Libertad” follows a…  read review

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