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Synopsis

Director Arnaud Desplechin’s (Kings and Queen) unconventional spy film is centered on the dissolution of Europe after the fall of Communism. After the death of his diplomat father in Germany, Mathias decides to move to Paris to study forensic medicine. On the train to the city, he is arrested and threatened by a mysterious agent, and the next day Mathias discovers a severed head has been stashed in his luggage. Using his medical knowledge to trace the history of the strange appendage, Mathias begins to get deeper and deeper in obscure international intrigue and is soon out of his depth.

Director

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Arnaud Desplechin

Arnaud Desplechin is the son of Robert and Mado Desplechin, and grew up in the Nord department. He has a brother named Fabrice who has acted in several of his films, and two sisters: novelist Marie Desplechin and screenwriter Raphaëlle Desplechin.

Arnaud Desplechin studied film directing at the University of Paris III: Sorbonne Nouvelle, graduating in 1984. He made three short films inpsired by the work of the Belgian novelist Jean Ray, and became a great admirer of the films of Alain Resnais. During the late 1980s, Desplechin worked as a director of photography on several films.

In 1990, Desplechin directed La Vie des morts, starring several actors who would go on to appear in multiple Desplechin films, such as Marianne Dénicourt, Emmanuelle Devos, Emmanuel Salinger and Thibault de Montalembert. The 54-minute-long film won the Jean Vigo Prize for Short Films, and was shown at the Cannes Film Festival.

Desplechin’s first feature-length movie, La Sentinelle, premiered… read more

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kaidan

6Aug11

one of the best french films i've seen.

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Of Myths and Man: A Conversation with Arnaud Desplechin

By Tom Hall on January 23, 2008
There is not a more important filmmaker working today than Arnaud Desplechin. The French director, best known for 1996’s “My Sex Life (or How I Got Into An Argument)” has been challenging moviegoers for
read article

Arnaud Desplechin: The BRM Interview

By Tom Hall on January 23, 2008
Tom Hall: Tracking the process of Kings & Queen from your intital idea to the finished film, do you feel you have accomplished what you set out to do? How did the film change? Arnaud Desplechin: I think
read article

How to Get Ahead in Espionage

By Jonathan Rosenbaum on January 23, 2008
Anyone who saw the three-hour My Sex Life… or How I Got Into an Argument (1997) when it showed at the Film Center last year knows that, for better and for worse, writer-director Arnaud Desplechin, born
read article

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