One of the first French films to address the issue of collaboration during the German Occupation, Louis Malle’s brave and controversial Lacombe, Lucien traces a young peasant’s journey from potential Resistance member to Gestapo recruit. At once the story of a nation and one troubled boy, the film is a disquieting portrait of lost innocence and guilt. —The Criterion Collection
Louis Malle (born October 30, 1932, Thumeries, France—died November 23, 1995, Beverly Hills, California, U.S.) French motion-picture director whose eclectic films were noted for their emotional realism and stylistic simplicity.
Malle’s wealthy family resisted his early interest in film but allowed him to enter the Institute of Advanced Cinematographic Studies in Paris in 1950. After studying at the institute, he worked as an assistant to filmmaker Robert Bresson and codirected the documentary Le Monde du silence (1956; The Silent World) with underwater explorer Jacques-Yves Cousteau.
Malle’s first feature film, Ascenseur pour l’échafaud (1957; Frantic), was a psychological thriller. His second, Les Amants (1958; The Lovers), was a commercial success and established Malle and its star, Jeanne Moreau, in the film industry. The film’s lyrical love scenes, tracked with exquisite timing, exhibit Malle’s typically bold and uninhibited treatment of sensual themes. Social alienation… read more
Very perceptive about what happens to people during wars/occupations. They change, weak and strong alike. They misplace their own nations. It even happened in the U.S. during the Bush years, and we weren't subjected to what France was during WW2. The hero is a thug-baby yet given to remarkable innocence and candor; he falls in love with a girl whose childhood has been stolen too. History fucks them both.
CC#329: Rockabilly arises to Lacombe, Lucien what jazz was to Murmur of the Heart, signifying the contemporary coming-of-age - an analogous blend of blank obstinacy and impressionability; A.K.A. The Conformist Jr., doubly offering a conflicted portrait of occupied France. A subdued storytelling that favours characterisation through natural, immersive montage of actions, moments. Subsequently a drier, yet durable, dexterous mise en scene - mutedly, tonally even daring, over excitable formal heights. Once again, without any trace of visual blemish.
Title: Lacombe Lucien
Country: France, West Germany
Language: French German
Genre: Drama, War
Director: Louis Malle
Patrick Modiano… read review