Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop’s men for two years, ever since he escaped with the Lady Isabeau who the Bishop has lusted after. Navarre and Isabeau have a curse that the Bishop has placed on them that causes Navarre to be a wolf during the night and Isabeau to be a hawk during the day. Navarre insists that Philipe help him re-enter the city to help him kill the heavily guarded Bishop. —IMDb
Working briefly as an actor in the late 1950s, American director Richard Donner first wielded the megaphone for a group of TV commercials, then graduated to the weekly western Wanted: Dead or Alive. Some of Donner’s best early work was concentrated on the fantasy anthology Twilight Zone, including the imperishable 1963 episode “Nightmare at 20,000 Feet.” Donner also worked for Hanna-Barbera, directing several episodes of “Danger Island”, a component of the 1968 kid’s series The Banana Splits; there was, however, very little that was “kiddie” about “Mystery Island,” a hallucinatory symphony of hand-held camerawork. A film director since 1961 Donner turned to movie work full time with 1968’s Salt and Pepper. The Omen (1976), a demonic-possession opus, was Donner’s first major moneymaker, leading to his directing assignment on the first Superman film in 1978. Superman was popular enough to inspire three sequels, the first of which contained so much uncredited Donner-directed footage that… read more
Plug your ears, and the movie is passable. Goddamn Broderick and Alan fucking Parson!
Reasonably entertaining medieval fantasy. It's certainly pretty cheesy at times, but it's a handsome production, with the Italian countryside lushly photographed by Vittorio Storaro. Rutger Hauer is intense, per usual, and Michelle Pfeiffer is gorgeous, per usual; though Matthew Broderick gets annoying real quick, as does the very 80s score. It'll never be any kind of a classic, but watchable.
maybe it's because I didn't see this when I was a kid and have no feelings of nostalgia for it, but this movie made me feel ill.
C’est parfois difficile de ressortir d’un film avec un léger sentiment de frustration car on se dit que sans un petit truc, l’oeuvre aurait pu être meilleure. Ladywhawke fait partie de ceux-là.
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