L'amour

United States

1973

90 Min

Color

English

Currently 0.0/5 Stars.
1
2
3
4
5

|

DIR Paul Morrissey, Andy Warhol

SCR Andy Warhol, Paul Morrissey

CAST Michael Sklar, Donna Jordan, Max Delys, Patti D'Arbanville, Karl Lagerfeld

Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her, providing she will accept sharing his special friendship with local gigolo Max. Drama ensues as Michael changes his mind when meeting Jane, but all is well that ends well. —IMDb

Director

Paul Morrissey

Paul Morrissey (born February 23, 1938, New York City) is an American film director, best-known for his association with Andy Warhol.

Morrissey attended Ampleforth College and Fordham University, both Roman Catholic schools, and later served in the United States Army. A political conservative and self-described “right-winger”, who has publicly protested against what he perceives as immorality and “anti-Catholicism”, Morrissey’s long-term collaboration with the low-keyed, apparently apolitical Warhol was viewed by many as “a successful mismatch”, although both men did share some traits, i.e. both were practising Catholics from “ethnic” backgrounds (Warhol was of Slovakian descent and Morrissey is of Irish descent).[citation needed]

Morrissey’s bold, avant-garde direction in filmmaking is often attributed to his relationship with Warhol and The Factory, although Morrissey claimed in his memoir, Factory Days, that this is not the case. —Wikipedia

Andy Warhol

American pop artist Andy Warhol became a pop icon himself, symbolizing the wild decadence of the “beautiful people” of the 1970s. Born Andrew Warhola in Pennsylvania, he studied at the Carnegie Institute of Technology before designing advertisements for women’s shoes. After gaining notoriety for his pop-art renditions of things such as Campbell’s Soup cans and silk screens of Marilyn Monroe, Warhol began making experimental films during the early ‘60s. Most of his early works were little more than passive chronicles of the ordinary. For example, in the film Sleep, he simple recorded a man sleeping for several hours. Such endeavors were heralded as groundbreaking by other experimental filmmakers, but the public and most critics generally regarded them as wastes of film, and their time. Still, Warhol continued making these plotless films until he eventually began adding crude soundtracks and sketchy scripts. Many of these films are filled with his “players”: the beautiful people, “freaks… read more

American pop artist Andy Warhol became a pop icon himself, symbolizing the wild decadence of the “beautiful people” of the 1970s. Born Andrew Warhola in Pennsylvania, he studied at the Carnegie Institute of Technology before designing advertisements for women’s shoes. After gaining notoriety for his pop-art renditions of things such as Campbell’s Soup cans and silk screens of Marilyn Monroe, Warhol began making experimental films during the early ‘60s. Most of his early works were little more than passive chronicles of the ordinary. For example, in the film Sleep, he simple recorded a man sleeping for several hours. Such endeavors were heralded as groundbreaking by other experimental filmmakers, but the public and most critics generally regarded them as wastes of film, and their time. Still, Warhol continued making these plotless films until he eventually began adding crude soundtracks and sketchy scripts. Many of these films are filled with his “players”: the beautiful people, “freaks,” and wealthy dilettantes that constantly surrounded the artist and his “Factory,” an art studio he founded in 1962. His films became a form of cinéma vérité, a voyeur’s delight of strange people doing equally strange things. Some of the players Warhol turned into underground celebrities included Candy Darling, Viva, Holly Woodlawn, and Ingrid Superstar. Simply playing versions of themselves, they left the viewer to decide if they were, in fact, real people or simply fantastical figures. Many of Warhol’s films were centered on sex and death, and the sex in his films was often explicit and transcended traditional gender boundaries. In 1968, Warhol was wounded by a disgruntled Factory reject, an incident which inspired the 1996 movie I Shot Andy Warhol. While healing, he began to withdraw from filmmaking, closed the Factory, and turned the reins of his operation over to filmmakers such as Paul Morrissey, who helped make subsequent movies more commercially accessible. Morrissey was behind Warhol’s best known films Flesh for Frankenstein and Blood for Dracula, both of which were shot while in Rome in 1973. Although Warhol never fully recovered from the attempt on his life and had stopped making films, he did continue his voyeurism of the strange lives of his illustrious friends via the Polaroid camera he carried with him until he died in 1987 from complications following surgery. –allmovie guide

read less