Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her, providing she will accept sharing his special friendship with local gigolo Max. Drama ensues as Michael changes his mind when meeting Jane, but all is well that ends well. —IMDb
Paul Morrissey (born February 23, 1938, New York City) is an American film director, best-known for his association with Andy Warhol.
Morrissey attended Ampleforth College and Fordham University, both Roman Catholic schools, and later served in the United States Army. A political conservative and self-described “right-winger”, who has publicly protested against what he perceives as immorality and “anti-Catholicism”, Morrissey’s long-term collaboration with the low-keyed, apparently apolitical Warhol was viewed by many as “a successful mismatch”, although both men did share some traits, i.e. both were practising Catholics from “ethnic” backgrounds (Warhol was of Slovakian descent and Morrissey is of Irish descent).
Morrissey’s bold, avant-garde direction in filmmaking is often attributed to his relationship with Warhol and The Factory, although Morrissey claimed in his memoir, Factory Days, that this is not the case. —Wikipedia
American pop artist Andy Warhol became a pop icon himself, symbolizing the wild decadence of the “beautiful people” of the 1970s. Born Andrew Warhola in Pennsylvania, he studied at the Carnegie Institute of Technology before designing advertisements for women’s shoes. After gaining notoriety for his pop-art renditions of things such as Campbell’s Soup cans and silk screens of Marilyn Monroe, Warhol began making experimental films during the early ‘60s. Most of his early works were little more than passive chronicles of the ordinary. For example, in the film Sleep, he simple recorded a man sleeping for several hours. Such endeavors were heralded as groundbreaking by other experimental filmmakers, but the public and most critics generally regarded them as wastes of film, and their time. Still, Warhol continued making these plotless films until he eventually began adding crude soundtracks and sketchy scripts. Many of these films are filled with his “players”: the beautiful people, “freaks… read more