Beijing, 1988. On the cusp of middle-age, Chen Handong has known little but success all his life. The eldest son of a senior government bureaucrat, he heads a fast-growing trading company and plays as hard as he works. His loyal lieutenant Liu Zheng is one of the few who know that Handong¿s tastes run to boys more than girls. Lan Yu is a country boy, newly arrived in Beijing to study architecture. More than most students, he is short of money and willing to try anything to earn some. He has run into Liu Zheng, who pragmatically suggests that he could prostitute himself for one night to a gay pool-hall and bar owner. But Handong happens to be in the pool-hall that evening, and he nixes the deal. He takes Lan Yu home himself, and gives the young man what turns out to be a life-changing sexual initiation. –Cannes Film Festival
Stanley Kwan (simplified Chinese: 关锦鹏; traditional Chinese: 關錦鵬; Mandarin Pinyin: Guān Jǐnpéng; Jyutping: Kwan1 Kam2 Pang4; born October 9, 1957 in Hong Kong) is a Hong Kong Chinese film director and producer.
Kwan landed a job at the TVB after receiving a mass communications degree at Hong Kong Baptist College. Kwan’s first film was Women (1985), which starred Chow Yun-fat, and was a big box-office success.
Kwan’s films often deal sympathetically with the plight of women and their struggles with romantic affairs of the heart. Rouge (1987), Full Moon in New York (1989), Centre Stage (1992; aka Actress), a biopic on silent film star Ruan Lingyu and Everlasting Regret (2005), are all such typical Kwan films. Red Rose White Rose (1994) is an adaptation of an Eileen Chang novel.
Kwan came out as a gay man in 1996 in Yang ± Yin, his documentary looking at the history of Chinese-language film through… read more