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Land of Plenty

Germany, Canada, United States

2004

123 Min
Color
2.35:1
English
  • Currently 3.0/5 Stars.
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DIR Wim Wenders

PROD Jake Abraham, Lee In-Ah, Samson Mucke, Gary Winick

SCR Scott Derrickson, Michael Meredith, Wim Wenders

DP Franz Lustig

CAST Michelle Williams, John Diehl, Shaun Toub, Wendell Pierce, Richard Edson, Burt Young, Yuri Elvin, Gloria Stuart

ED Moritz Laube

PROD DES Nathan Amondson

MUSIC Nackt, Thom

SOUND Claude Letessier

Venice (In Competition): UNESCO Award, Toronto

Synopsis

After years of living abroad with her American missionary father, Lana (Michelle Williams) returns to the United States to begin her studies. But instead of focusing on her education, Lana sets out to find her only other living relative – her uncle Paul, her deceased mother’s brother. A Vietnam veteran, Paul is a reclusive vagabond with deep emotional war wounds. A tragic event witnessed by the two unites them in a common goal to rectify a wrong, and takes them on a journey of healing, discovery, and kinship.

Director

Original

Wim Wenders

Born in Dusseldorf just after the end of World War II, German film director Wim Wenders grew up with an insatiable appetite for American movies. Not all that interested in big-budget products, he, instead, developed a fascination with B-movies, notably melodramas and Westerns. After studying Medicine and Philosophy in his native country, Wenders took up art in Paris (a mecca for viewing American films), and then returned to his homeland to attend Munich’s Academy of Film and Television. Like many of his French movie-fan brethren, Wenders began his career writing film criticism before directing a few short subjects of his own, and, in 1970, he and several other young filmmakers formed a production-distribution firm, Filmverlag Der Autoren. Summer in the City (1970) was Wenders’ first feature film, but it was his 1973 adaptation of Nathaniel Hawthorne’s The Scarlet Letter that first brought him attention outside of Germany. The film included many accomplishments, most notably coaxing… read more

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Joel

13Sep11

Nothing has pleased me more than Michelle Williams' move into somewhat more independent dramatic films and this is one where I can say she was one of the highlights. This is a simple and pure and quite affectations film about life post twin-towers. The flaws are perhaps in the bluntness of some of the images and the low-budget draw backs. But Wenders is commendable for doing just what he pleases.

Graveyard Poet likes this

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rajiv ibrahim

10Sep10

i dont really know why but lana (michelle williams) is one of my fave character ever in film, i think im in love, lol

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Grey Daisies

7Apr09

While not without some flaws, Wenders achieves a truthful and honest portrait of people's angst and alienation in post-9/11 America. Williams delivers a touchingly restrained performance.

Polyglot and 3 others like this

Graveyard Poet, Fabio Penela, Viktor Pedersen

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