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Displaying all 23 wall posts
Picture of Gylfi

Gylfi

9May13

I always love it when a director that I admire and respect goes out with a bang. Mizoguchi, Kubrick, Tarkovsky and Ozu all come to mind. And Bresson most certainly joins that group with his last film, L'argent. It feels like the director is in such control over his subject matter, the story is told with absolute confidence in the ability of the audience having the patience to stick with it and ponder the meaning.

Scorpio Velvet likes this

Picture of Whyte Nite

Whyte Nite

1May13

NOW I understand why Haneke is such a Bresson nut. This film well deserves its spot among the 2012 Sight & Sound Directors' Top 100 films.

Picture of Gran-Hoff

Gran-Hoff

28Apr13

Much has been said about the Hands as one of the main elements in Bresson's œuvre, Hands are the ones that deal with money, with letters, fruits, cars and deadly weapons, they are elements on the verge of not belonging to individuals, almost autonomous, yetthey intermediate human actions. If "Au Hasard Balthazard" was the film to understand the "models", this may be the one to understand the "Hands".

Picture of Ariel Rowan

Ariel Rowan

20Apr13

want to be fed an unripe hazelnut by a stream while hanging laundry

Picture of HKFanatic

HKFanatic

11Apr13

Bresson's final effort feels like the prototype for just about every Michael Haneke movie I've seen. Except whereas Haneke is usually interested in manipulating his audience, there's something about Bresson the artist that makes even his most nihilistic works - and "L'Argent" is as bleak as they come - seem to swell with empathy; an empathy for human suffering. "L'Argent" is a scathing indictment of the modern world and of a society that places value on capital above all else. Unlike most Bresson films, the film lacks a central charismatic performance, but in its place is a twisting narrative structure. The ending in particular exudes a transgressive aura that is difficult to shake. "If I were God, I would forgive everyone."

Gylfi and 4 others like this

Domas, Trevor Tillman, Klaus Capra, Arsaib

Picture of Rock Streams Leper

Rock Streams Leper

2Apr13

What nonsense. This film never had a chance because Tolstoy--and therefore Bresson--make a number of assumptions about human nature that are pure bullshit. Furthermore, while Bresson's camera remains pithy, somewhere between Mouchette and this film (I have not seen those in between) his direction of actors/models seems to have collapsed into self-parody. 2/5

Picture of Trolley Freak

Trolley Freak

7Jun12

For the final film of his long but hardly prolific career, Bresson turned to Tolstoy for inspiration to make a brilliant adaptation of The Forged Coupon. In telling the story of a young man whose life is turned upside down and eventually ruined when he unwittingly passes on forged bank notes, Bresson retained his familiar sparse style. Some director's end their careers with a whimper. Bresson ended his with a bang...

Gylfi likes this

Picture of Yasin Kütük

Yasin Kütük

14May12

modern masterpiece.

Picture of John Pastüch

John Pastüch

29Apr12

Perfect film. Best ending to any movie I have ever seen.

Alex likes this

Picture of Daniela

Daniela

14Apr12

Yup, very Tolstoy-ian and Bresson-ian . . .

HKFanatic and DT like this

Picture of TFCHooligan69

TFCHooligan69

18Mar12

The destructive nature of man's obsession with money. A fascinating final work.

Picture of Stephen Campbell

Stephen Campbell

12Dec11

Its easy to see where Haneke got his idea for Hidden from this film is a top draw work from a master director

Picture of Neither/Nor

Neither/Nor

4Nov11

Money ruins everything yet leaves it intact as the genesis of inexplicable violence. Bresson's economy is Haneke's ultimate grammar.

Picture of Francisco R.

Francisco R.

4Nov11

It is clear that Bresson shaped his adaptation to reveal his bleaker, more unapologetic views on the modern world, it also happens to contain some genuinely thrilling scenes - quite unusual from someone who admired and prevailed essence or "minimalism" - that seem to underline a scathing commentary. This is a devastating final feature.

HKFanatic likes this

Picture of Lars Ole Kristiansen

Lars Ole Kristiansen

4Aug11

Stunning. Bressons opus magnum is masterful in every possible way - this is one of the best films in the history of cinema. Michael Haneke is obviously a huge fan. A+

  • Picture of KarstenM

    KarstenM

    4Aug11

    So it was true. AAAhhh. Can't wait.

  • Picture of Alex

    Alex

    29Oct11

    I was also thinking about Haneke after watching it. Even tho, he doesn't reach those pessimistic levels. Definitely not a movie for people who believes in destiny, it could destroy them.

Picture of Kamran

Kamran

20May11

What the hell is with the subtitles?? Almost every copy I've gotten has the same nonsensical translation. I managed to download one .srt file with the correct translation, but then the timing is messed up cause I'm not using it with it's matching video file. Anyone know of a link to a proper version, torrent or otherwise? I'm afraid of buying or renting it, since the nonsensical translation had to come from somewhere

Picture of Drew Millay

Drew Millay

7May11

Amazing ending, powerful and horrific.

Picture of Langston Young

Langston Young

29Apr11

Started off interesting...then it crashed and burned.

Picture of Steve

Steve

17Nov10

Should've been called "People opening and closing doors"

Daniela likes this

Picture of All Is Grace

All Is Grace

3Nov10

"Oh, money, visible God, what wouldn't we do for you?". Seems the old man had lost his faith.

HKFanatic and João BotaDouro like this

Picture of Lays Laine

Lays Laine

1Oct10

the evils of bourgeois inconsistency

HKFanatic likes this

Picture of aoaijea

aoaijea

31May09

The empty hand is probably the best use of sound and image ever used in cinema, and is proof of it's merit as art. I don't know if anything has ever suprassed it.

Canonalan likes this

Picture of DAVE A

DAVE A

16May09

Probably my favorite film of all time.