MUBI

I sometimes consider France in the 30’s to be the greatest film era of all time, and Jean Vigo’s 1934 masterpiece, the last of his tragically short life, is one of the reasons. Not only does Vigo’s poetic mise-en-scene and Boris Kaufman’s beautiful, foggy cinematography, suggest one of the cinema’s supreme balances of style and realism, ethereal being and endless longing, the story in itself – a barge adrift on the Seine with a newlywed couple, a few deck hands, and a gaggle of stray cats – represents life in a microcosm. Painfully neglected at the time of Vigo’s death, this has since become arguably the most famous of all classic French films of the era, certainly one of the best.

I saw this for the first time recently – Outstanding and well worthy of the arthouse praise frequently heaped upon it. Amazing photography – great use of overhead shots and close ups/ natural lighting and even underwater sequences/ and nice mixes and fade ins. At times the camera moves through the characters, Bearing in mind this was 1934 the visual innovation is just incredible. It’s not just pretty though; the story grips and the anguish of separation is feels real/the reunion swift and passionate. The slapstick dancing sequence is amusing and beautifully choreographed. Simon is a grotesque but loveable rogue – Dita is absolutely gorgeous too (which helps) and the parted lovers imaginary dream meeting surely has to be the most erotic ever committed to celluloid.