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Late Marriage

Hatuna meuheret

Israel, France

2001

102 Min
Color
1.66:1
Georgian, Russian, Hebrew
  • Currently 3.7/5 Stars.
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DIR Dover Koshashvili

EXEC Uddie Yerushalmi

PROD Marek Rozenbaum, Edgar Tenenbaum

SCR Dover Koshashvili

DP Dani Schneor

CAST Lior Ashkenazi, Ronit Elkabetz, Moni Moshonov, Lili Koshashvili, Aya Steinovitz, Rosina Kambus, Simon Chen, Sapir Kugman, Dina Doron, Leonid Kanevsky, Libia Hakmon, Eli Turi, Maria Ovanov, Michael Moshonov

ED Yael Perlov

PROD DES Avi Fahima

MUSIC Iosif Bardanashvili

SOUND Oleg Kaiseman, Nathalie Vidal

Cannes (Un Certain Regard), Toronto (Contemporary World Cinema), Telluride, London (World Cinema), BAFICI (Competition): Best Actress, FIPRESCI Prize

Synopsis

Zaza has run out of time. He’s almost 32 and his family wants to see him married. But tradition dictates that Zaza has to choose a young virgin. She must be beautiful and from a good family, preferably rich. Zaza’s parents, Yasha and Lily, think their only son is a very good catch. He’s smart, charismatic and handsome. Yasha and Lily drag Zaza to meet potential brides and their families. Zaza has no choice. He plays along with his family, advocates of the suffocating traditions of their Georgian heritage. But Zaza always manages to somehow get out of being engaged. What his parents don’t know is that Zaza is already in love. Judith is sensuous, strong and intriguing. She’s also a divorcée with a 6-year-old daughter. So Zaza has kept Judith a secret from his family. Zaza is about to experience a turning point charged with family antics, laughter and tears. A crucial moment in any man’s life. He will have to choose between respect of the strict confines of family and tradition, or the love of his life. –Cannes Film Festival

Director

Original

Dover Koshashvili

Born in Soviet Georgia in 1966, Dover Koshashvili immigrated to Israel with his family in 1972. He has directed two feature films and a short. His short, Im Hukim (By the Laws), first earned him acclaim at the 1999 Cannes Film Festival, where it was considered for the Cinefoundation award.

In 2001, Koshashvili made his feature film directorial debut with Late Marriage, from a screenplay he wrote himself. The film was critically acclaimed in both the U.S. and abroad. Stephen Holden of The New York Times called the movie “…a powerful and very bitter comedy.” Danny Graydon of the BBC wrote that the film has “a lively script, an array of touching characters and situations that are fully exploited of their dramatic and comedic potential, this is an honest portrait of family tensions that Hollywood rarely approaches.” Edward Guthmann of the San Francisco Chronicle wrote “Writer-director Dover Kosashvili is a shrewd observer of cultural collision… read more

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AdamantCocoon

17Oct11

For the second time, that is.

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AdamantCocoon

17Oct11

Absolutely lovelier.

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Langston Young

28May11

...and it has one the most naturalistic sex scenes I've ever seen :)

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Langston Young

28May11

I think the ending works not because it doesn't give the audience what we want just for the sake of being contrary, but because it made everything we saw before seem all the more profound, as well as giving us something to think about in the end, establishing whatever the director's message was, which we can probably decipher.

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Is there any love for "Late Marriage"?

8 posts by 8 people 3 months ago